0:02

Hey, this is Chris Pine, and I am so excited to

0:04

introduce the first episode of my brand-new fiction

0:07

podcast, Ad Lusum. In

0:10

the show's pilot, we are introduced to Ad

0:12

Lusum O.I.'s head of security,

0:15

Dominic, played by yours truly, who serves

0:17

as the right hand of the company's enigmatic

0:19

founder, Miranda Skoll, played by

0:21

the wonderful Olivia Wilde. In this

0:24

episode, secret relationships are revealed as

0:26

we begin to scratch the surface of what's

0:28

at stake if the CARA technology

0:31

isn't stopped.

0:33

Follow Ad Lusum on Apple Podcasts,

0:35

Spotify, or wherever you're listening now

0:38

to be among the first to listen. I hope

0:40

you enjoy. Let's roll the episode.

0:45

Hello, listeners. Be advised that this show is

0:47

an immersive audio experience. It

0:49

may seem like sounds are coming from the sides or behind

0:52

you. Listener discretion is advised, as

0:54

this content is intended for adult audiences

0:57

only.

0:59

Q Code presents Ad Lusum,

1:02

starring Chris Pine, Olivia Wilde,

1:05

and Troyan Bellisario. Created

1:07

by Troyan Bellisario and

1:09

Joshua Close. Episode 1,

1:13

The Hive. Who

1:46

are you? Who

1:51

do you want to be? What

1:55

do you want to learn? How

2:01

do you want to grow? And

2:06

how can we help?

2:12

I'm Miranda Skoll, founder of Adlucim

2:14

OI, and I'm here for you. I'm

2:18

here to help you be who you've always wanted

2:20

to be. To help you spend time

2:23

with those you love. So

2:27

you never have to waste a second. Every

2:33

moment spent with us is a moment of genuine

2:36

human attention and support.

2:42

Organic intelligence is here.

2:47

Say hello to Kara. Hi.

2:59

Let's get back to who we are and where we

3:01

need to be without losing our most

3:03

crucial human element. Connection.

3:08

Connection to ourselves. Connection

3:12

to each other. Welcome

3:18

to Adlucim OI. Welcome

3:25

to Adlucim OI headquarters. We

3:30

are so happy that you're here today. Are you

3:32

excited for a tour? That's

3:35

it? Jeez. I

3:38

didn't realize Divine Bridge Middle School had

3:40

a nap scheduled in the middle of their day. Come on. You

3:43

got a day off of school.

3:44

You got a day off of school. You

3:47

got a day off of school. You got

3:49

a day off of school. You got

3:51

a day off of school and a field trip to the number

3:54

one OI company in the world. Can

3:57

I get it?

4:00

Hell yeah! Hell

4:02

yeah!

4:03

Yes! So much better! Okay,

4:06

so I know that many of you

4:08

are already familiar with our awesome Cara, but

4:10

today we want to let you in on what goes on

4:12

behind the scenes. And look

4:14

at what we have in store for our highly anticipated

4:17

2032 launch of Cara with presents. Yeah,

4:21

that's the enthusiasm I was looking for. Can we see her projected?

4:24

Why is she called Cara? Cara stands

4:27

for corporeal augmented reality

4:30

assistant.

4:31

What? Yes, it's a mouthful. That's

4:34

why we just like to call her Cara.

4:37

Now, I'm guessing a lot of you already have

4:40

a Cara at home, right? Yes! Yeah,

4:42

is she voice or text? Text!

4:45

Text! Projection. Who said

4:47

that? Hi! What's your name?

4:50

Addison. Addison, welcome! So you

4:52

have Cara projection at

4:54

home. That's so cool!

4:57

How long have you had her? Since it came

4:59

out,

4:59

my dad works here. Of course!

5:02

You're Dominic's daughter. You're part of the

5:04

family. Yes, okay. So Addison

5:08

is lucky because she's already experienced

5:11

Cara projection. Would the rest

5:13

of you like to experience it too?

5:15

Yes! Hell yeah! All right.

5:18

Cara, would you mind

5:20

joining me?

5:26

Hi. Yo,

5:31

where's your hair? Good

5:33

question. What you are seeing

5:36

are my default settings. Every

5:38

Lusum client gets to customize the way their

5:40

Cara looks and sounds. So

5:44

I can decide your measurements?

5:45

Okay, easy friends. I

5:49

still have some parental controls in place. What's

5:52

the point of being projected? Well,

5:54

I think projection can make our time together more personal.

5:57

For example, who here plays an instrument? Oh, I

5:59

see. I do. Me, guitar. Me

6:01

too. And it's easier for me to show you

6:03

the chords if you can see my hands, right? When

6:06

we update, do we get to pick our tech? I

6:09

really like the one I already have. Your

6:11

technician changes based on your needs and

6:13

schedule, but my presets save automatically.

6:16

So the appearance you customize for me will

6:18

always stay the same. It's like having

6:21

a best friend that can do anything and everything

6:23

you need.

6:23

Any other questions?

6:26

No? OK,

6:29

what do you say we get this party started? Yeah. All

6:31

right. Follow me into the atrium. Where

6:49

are you being projected from? Another great

6:51

question. In order for me to appear seamlessly

6:54

in three dimensions, I am limited to 25

6:57

feet from a projection tower at any

6:59

time. But they are very discreet. If you look

7:01

over there, you might be able to see one. I

7:04

can still see through you. Yes,

7:07

you can. Like all holograms, I

7:09

appear semi-opaque, but our engineers

7:12

are working on that. There

7:15

he is, the man of the hour. Everyone,

7:18

this is Mr. Dominic McDonough.

7:19

Mr. McDonough is our chief of

7:21

security and the reason you are all

7:23

here today. How about a big thank

7:25

you to our favorite facilitator? Thank

7:28

you. Thanks, Dad. It's

7:30

my pleasure. It's my pleasure. I hope

7:32

you enjoy your visit as much as I enjoy working

7:35

here.

7:35

All right, everyone. Follow me this way, and I can

7:38

show you the lab where scientists and engineers

7:40

are working every day to make cars like

7:42

me even better.

7:43

Addie, honey.

7:46

Hey, Dad. Hey, you want to come up

7:48

and say hi to Miranda real quick?

7:50

I should probably stay with my class. Come

7:52

on, I'll bring you right back down. 50 minutes tops.

7:55

It's pretty cool up there. OK. Let's

7:59

get you checked in with you.

7:59

Jimmy before we head upstairs. I

8:02

think the lair is locked, but never forgotten. And

8:04

remember, in two years, our company

8:07

begins an exciting new chapter with the highly

8:09

anticipated launch of Kara with

8:12

presence. Presence. Feel

8:15

the love in your life, anywhere,

8:17

anytime.

8:18

Jimmy, this

8:20

is my daughter Addison. Addison, the one and only

8:23

Jimmy, the keeper of the gate. Hey

8:25

there, Addison. Hi, Jimmy. Hey,

8:27

how'd that surgery go? It feels brand

8:30

new, doing my life like a teenager.

8:33

Good, good to hear. We're just headed up

8:35

to see the boss. I figured, step on

8:37

through.

8:41

Oh. Did

8:43

that just X-ray me? It did indeed. Whoa.

8:46

Plus biometrics, vaccination status,

8:48

the whole works. Hey Dom,

8:50

some of those protesters showed up today third

8:53

time this week. Yeah, I saw that. They

8:56

seem civil, but let's keep an eye on it. Always

8:59

do. See you on the way down, Jimmy. All right,

9:01

my man. You

9:03

think your friends are excited to be here?

9:05

I mean, a lot of them haven't seen a car

9:07

projected, so that was cool. Yeah,

9:10

yeah, I bet. Anything you're excited

9:13

to see? Can I see Phil? I

9:16

don't know. Please, please. I

9:18

texted her to ask already. I really want to

9:20

see how it works. Maybe,

9:23

maybe after this. I'm

9:25

not going to be able to tell you what I'm talking

9:27

about. Executive level. Executive

9:30

level. How's

9:33

your mom doing?

9:35

She's good. She's

9:37

still saying, um. Ted?

9:41

Right, right. Professor

9:43

Ted. Dad?

9:47

Yeah, sweetie.

9:48

I heard them talking

9:50

about moving in together. Can

9:52

they do that?

9:54

They can do whatever they want. Yeah. But

9:57

you guys aren't divorced yet. You're just like.

10:00

Separated. Yeah. Arrive.

10:04

Here we are.

10:09

Hello. I'm Anderson. I'm Andrew. What

10:12

do you think? It's beautiful. Check

10:15

out that view. Chinatown. Wait.

10:18

So, Mom can't move in with him, right? Honey,

10:21

your mom... She's

10:23

still angry at you. Which means she cares.

10:26

And if she cares, then maybe she still has feelings for you. Addison,

10:30

your mother and I will work it out. Okay? We always

10:33

do. This is not something

10:35

you need to worry about. Excuse me, dear. Dad?

10:43

Who

10:45

was that? Dad? Who

10:48

was that woman in the red dress? I

10:50

don't know. But if she's up here, maybe

10:53

a new secretary? You're very

10:55

welcome. Oh! The

10:58

incredible Addison! Hi. Your

11:01

father has talked about you very much, telling me so

11:03

many good things. Hi, Daria. Is

11:04

Miranda free? No. Sorry. She is currently

11:07

in meeting with Mr. Lombard. Vincent's

11:10

here? Crazy.

11:12

Yes. Must be important. Who's Vincent? Someone...

11:17

uh... Someone you don't need to meet. Why

11:20

the resistance? I don't

11:23

know what you're talking about. Get 10 million subscribers

11:25

and you are going behind my back asking for extensions.

11:28

I never go behind your back. By

11:30

giving us more time, more

11:31

time means more earnings. Happy

11:34

investors. These are

11:36

my investors. You go through me. Let me

11:38

do my job, Vincent. And you let me do

11:40

mine. We are still partners. We

11:44

built this together, did we not? Yes.

11:50

We did. Yes. Good.

11:55

I gotta use the pisser. You

12:01

need some backup. Oh, come in. What's

12:04

he doing here? Pissing

12:06

in my office. I

12:09

brought Addison up to thank you for the tour, but we

12:11

can come back later if you want. Oh,

12:13

yeah. Let's find some time for a dinner this

12:15

week. I'll check my schedule with Daria. Sounds good. Before

12:19

the end of the day, I'd like you to head down to engineering. Check

12:21

on Nick. He's sleeping in his office again. Shit. That's

12:24

four nights in a row. Yeah, I'll

12:26

see what's going on. Oh,

12:30

Dominic. How's the janitor

12:32

business? Is she making you mop the floors

12:34

yet? Good to see you, Mr. Lombard.

12:38

Now, hold on a second. Is that your daughter

12:41

out there? Yes, sir. That's Addison. Wow.

12:44

She has grown a lot in a year. You

12:47

must be so proud. Whenever

12:49

we need a little reminder of what old bastards we

12:52

are, look no further than the face of a child. Mr.

12:56

Dominic, I believe your daughter is requesting

12:58

your immediate assistance. Excuse me.

13:01

Let me know what Nick says. Will do. Thanks.

13:07

What's wrong? Everything okay? Phil

13:09

texted me back, and she said we could visit her in the high. Sweetheart, I thought

13:11

it was urgent. It

13:14

is. I really want to see her. Yeah,

13:16

I understand that, but I was in a meeting with my boss, honey.

13:18

I can't... Well, I'm sorry.

13:21

Can we still go down? Is

13:24

she in a session? Not yet. All

13:27

right. Yeah. All right. We'll

13:29

go say a quick hi in the middle. Thank you. Oh, my gosh. I'll

13:32

take you back to your class. Come on. Come on.

13:38

I think it's stopped. The game is looking at you. I

13:40

don't know what you're talking about. Wait,

13:43

why not? I'm just so excited. I'm

13:46

just so surprised. You're

13:48

like the patient.

13:52

When I find out who keeps playing this

13:54

Tiesto shit, I'm zeroing out your

13:57

precious gaming stats. Rough night, Phil. Yeah,

13:59

we're going to be back.

13:59

Your mom's a beast. You had sex

14:02

with my 76-year-old mother. All right,

14:04

all right. Get your asses in your cubes.

14:06

All right, I'll be back next time. Bill!

14:09

Hey, kiddo.

14:10

She wanted to say a quick hello. I

14:12

know. I invited her. What do you think

14:14

of the hive? It's so badass. Who

14:17

put all the stickers and graffiti on the doors? We

14:19

get to personalize our own cubes, so we did. Hey,

14:23

come back after your tour, and I will grab you a hot cocoa from

14:25

the cantina. Can I go

14:27

in the cube with you? I don't really think that's

14:29

a great idea, especially not in front of the head of

14:31

security

14:32

over here. Please,

14:34

Dad? Addie,

14:36

company policy is an idea. Please,

14:39

please. I swear I will not touch anything.

14:42

Please, please, please. All

14:44

right. What? Yes. All right. Just

14:48

go grab a snack from the vending wall, Addie.

14:50

The code is 5525.

14:52

Who's

14:55

the dad of the year? Stop it. Dad of the year.

14:57

Stop it. It goes to you. 15 minutes, okay?

15:00

She's got you wrapped around her finger, huh? I'm

15:03

already screwing her up with the separation,

15:05

so for the moment, let's give her one. Okay, okay.

15:07

Just keep an eye on her. I've got to go down to

15:09

engineering. Did Nick

15:11

lose his meds again? I don't know.

15:13

I will watch her, but I'm not responsible for anything

15:15

she learns in there with me. I

15:19

got beagles. Oh, great.

15:21

It's the loudest chip on Earth, but sure. I'll

15:24

see you soon, sweetie. Listen, everything Phil

15:27

says and, you know, just be good.

15:30

I will. Bye, dad. Bye. Bye,

15:32

dad. Eat quick. Oh,

15:43

beagles. Where's that? That

15:47

is my suit. You see that grid

15:49

of cameras? They pick up the sensors on the suit

15:51

and they track my movement. So if

15:54

I move, car moves. What do I say? Anywhere.

15:57

You weren't suited so the cameras can't

15:59

pick you up. Okay, Addy,

16:02

once I plug in, I need total quiet.

16:05

Capiche? What do you mean plug in? Well,

16:07

you see this drive? It holds my ID and

16:09

car assert. So when I plug into my cube, it lets

16:11

HQ know that it's me signing in. Can

16:13

you take it home? No, I can't take it home.

16:16

Welcome, Phil. Your first client

16:18

today is Roger Dodson.

16:21

You are one minute- Whoa, what's that all about? Error

16:24

in voice recognition.

16:25

992G4 override, wipe record of

16:27

session. Told you, no noise. That

16:31

is client data. I record everything

16:34

I learned about my clients during our sessions, favorite

16:36

foods, dream vacations, people they've

16:38

dated-

16:38

30 seconds, Addy. Clients fill out a basic form when

16:40

they sign up, but most of the personal stuff I

16:42

learn on the job. Three,

16:46

two, one.

16:58

Hey. Did

17:11

I wake you? You know

17:15

you sound like a cat when you snore. You

17:17

kind of purr. I do? Yeah,

17:21

it's cute. How did

17:23

you sleep? So weird. I

17:26

had this dream about my father.

17:29

He was in trouble with

17:30

the mob or something, and I

17:32

couldn't find him, and there was this

17:35

giant cat. It

17:38

was weird. Do

17:40

you want me to do some dream analysis? No, I-

17:44

No. Well, how about some jazz

17:46

then to start the day?

17:49

Much better, thanks. I

17:53

don't know why I keep having

17:56

these dreams. Roger, you've been

17:58

really stressed. probably

18:00

get you to bed earlier. I'll adjust your schedule.

18:03

Thanks. Hey,

18:06

um, did you look in your closet?

18:10

No. Take a look. Oh

18:15

my, Roger, this is

18:17

lovely. Is this St. Laurent?

18:20

You shouldn't have. Come on, try

18:22

it on. Looks

18:27

great on you. Thank you. Everything

18:30

looks great on you.

18:33

Thanks. Hey,

18:39

what did I say? I'm sorry. It's

18:42

okay, just please be quiet. Yeah.

18:45

What was that? Uh, I'm sorry. It

18:48

was just a little soft work glitch. The times

18:50

of the post this morning, handsome. Whichever

18:52

one tells me the Rangers won. Let's

18:55

try the times. Down

18:58

in the second period by two, the New York Rangers

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came back.

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22:40

Fuck, look. Love

22:43

is fucking hard, Dominic. It is fucking

22:46

hard, and it is supposed to be. It's supposed to be messy.

22:48

It's supposed to be fucking inconvenient. But

22:50

hey, look at us. Don't worry, folks. Cara

22:53

will give you everything you really want. Attention!

22:56

And all for the low, low price of information.

22:58

Just a little data about you

23:01

and your life and your fucking family.

23:04

Nick. We are claiming to build an ark, man,

23:06

but it's bullshit. Am I the only

23:09

asshole seeing this? The democracy is crumbling?

23:11

We are giving

23:12

people. But look, you can change your face to a dragon

23:14

and play chess with your friend in the metaverse.

23:16

Yippee. We're giving people comfort

23:19

in uncertain times. Comfort

23:21

is what you give to the dying. You

23:24

need to go home and get some sleep, Nick. My

23:26

wife can't even look me in the eyes anymore, man.

23:30

My kids hate me, and they should. Then

23:32

quit. Quit. Presence

23:35

is ready. Take a break. We don't need a head engineer.

23:38

Go ahead. And look, while you're

23:40

at it, tell Miranda you figured out her master plan,

23:42

and it's so much worse than any of us could

23:44

ever have imagined. No?

23:48

OK, then. I'm awarding you a car. You're going to take

23:50

it to your brownstone. You're going to kiss your wife.

23:53

You're going to hug your kids. And in the morning, that

23:55

same car is going to bring you back here. Outstanding

23:58

work, soldier. Hoorah. Don't start.

23:59

that shit with me I'm your friend I'm not crazy

24:02

Dominic I'm

24:05

worried about what there

24:09

are interactions we can't account for what

24:11

do you mean there

24:14

are rogue cars out there offering

24:16

escort services on the dark web what

24:20

are we doing look

24:24

what if the fuck are we

24:26

doing if they're not certified they're not

24:28

our responsibility right it might be bad

24:30

optics but we'll make a statement

24:33

we'll put it to bed prostitution is

24:35

a crime what if it's trafficking

24:37

this is not something you should be thinking about of

24:39

course it is this is my legacy

24:42

I don't want to be known as the guy who makes fucking

24:44

sex dolls for

24:46

two weeks okay let's

24:50

get through the launch of presents and

24:52

then you and I will dig into this together

24:53

all right I

24:57

promise I'll see ya

25:24

I hi

25:45

Phil what can I get

25:47

for you

25:48

double tequila neat drinks

25:50

are on Miranda today we have had 10

25:53

million subscribers well guess I'll

25:55

make it a triple only a triple

25:58

Does he take

26:00

it? It is now. I

26:02

made sure your kid left with her class in case you were

26:05

wondering. She told me. Thanks again

26:07

for your help today. Yeah, don't mention it. I

26:15

swear to God, it seems it's just a piss me

26:17

off. He's got a beautiful voice. It's

26:20

just Sonoris, don't you think? Sonoris?

26:23

Sonoris?

26:23

Or Sonoris? I

26:28

think he wants to get you in bed. Is

26:31

it working? Listen,

26:38

do you know of any techs working off-site? Work

26:42

talk after work. So sexy. So

26:45

nobody?

26:45

Anyone with a laptop and a couple of facial

26:47

sensors can be a car out, but discretion

26:50

isn't guaranteed. Right, right. So

26:52

why would someone operate uncertified when you could

26:54

just come work for us? Why would you

26:57

drive for Uber and give away 30% of your

26:59

earnings if some idiot's willing to just hop in your

27:01

car? Miranda always knew there'd be knock-offs.

27:03

You

27:09

look like shit. Have you been sleeping?

27:12

I would love to, but it's this check I'm saying. She won't

27:14

stop Sonoris.

27:15

I told you to get out of my bed, man. I don't

27:17

do sleepovers. Right. I'm

27:20

gonna go pack up. Thanks a little. Yeah.

27:22

I'll be at my place.

27:39

Alright, thanks for coming out. We'll

27:41

do some good night. Thanks

27:51

for coming out. and

28:07

moved moved and

28:16

read moved moved

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moved moved

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moved moved

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moved

28:43

moved moved

28:51

moved moved

28:58

moved moved

29:08

moved

29:12

moved

29:19

moved

29:22

moved

29:30

moved moved

29:40

moved

29:47

moved

29:47

moved

29:59

as Jimmy, Fiona Shaw

30:02

as Francis, Clancy Brown

30:04

as Vincent, Will Greenberg

30:07

as Will, Joshua Close as

30:09

Nick. Additional performances

30:12

by Amanda Walsh, Jay

30:14

Sean Leake, Candice Kozak, Elise

30:17

Levesque, Nick Masu,

30:19

Brendan Hines, Dan O'Connor,

30:22

Aaron Shiver, Lillian Bowden, Amy

30:25

Kale Peterson, Alexa Gabrielle

30:27

Ramirez, Michael Dunn, Robert

30:29

Baker. Written by Troyan

30:32

Bellisario and Joshua Close. Story

30:35

editor, Ian Gottler. Directed

30:37

by Troyan Bellisario. Executive

30:40

produced by Chris Pine, Olivia

30:43

Wilde, Ian Gottler, Troyan

30:45

Bellisario, Joshua Close, Rob

30:48

Herding, Michelle Zarati, Sandra

30:50

Yi Ling, and Alexa Gabrielle Ramirez.

30:53

Produced by Lauren Sinelli, Noah

30:56

Gersh, Jamie Scheffman and Nick

30:58

Panama. Original music by

31:00

Ian Arbor and Tom Ryan. Edited

31:03

by Stephen Blevins. Sound

31:05

design by Dimitro Kinyachenko

31:07

and Noah Kowalski. Mixed by Zach

31:10

Jurich. Audio engineering by

31:12

Ben Milchev, Neely Offtring, Sarah

31:15

Ma and David Tatashore. Additional

31:17

editing by Parisa Kazemi. Assistant

31:20

editor, Aaron Kennedy. Dialogue

31:22

supervision by Noah Kowalski.

31:24

Casting by Sunday

31:26

Bowling Kennedy and Meg Morman. Assistant

31:29

director, Kelsey Adams. Script

31:31

supervisor, Bethann Morgan. Set

31:33

teacher, Celeste Armstrong. Production

31:36

coordinators, Tom Breck and Alex

31:38

Buda. Salt head of creative, Jordan

31:41

Galvin. Salt head of post-production, Robert

31:43

Adler. Salt head of production, Liz

31:45

Lemay. Salt post-production supervisor,

31:48

Ali Anaray. Cue code head of editing,

31:50

Neely Offtring. Cue code head of mixing,

31:53

Ben Milchev. Production

31:54

legal, Christina Bulbrook and Lindsay

31:56

Kiel. Production accounting, Pinchun

31:59

Liu. Thanks to Robert Baker

32:01

and Xinyin Hu. This podcast

32:03

was recorded under a SAG-AFTRA collective

32:05

bargaining agreement. Adlucim is

32:08

a Q-code, Berry Linen Motion Pictures,

32:10

and SALT production. Sound Recording Copyright 2023

32:12

by Q-code Media Inc.