Assistant Curator Margaret Iacono discusses Giovanni Francesco Barbieri's (called Guercino) "Aldrovandi Dog" on display at The Frick Collection February 10 through May 10, 2009.
Assistant Curator Margaret Iacono discusses Jacopo Bassano's "The Flight into Egypt" on display at The Frick Collection February 10 through May 10, 2009.
Assistant Curator Margaret Iacono discusses Francisco de Zurbarán's "Still Life with Lemons, Oranges and a Rose" on display at The Frick Collection February 10 through May 10, 2009.
Assistant Curator Margaret Iacono discusses Bartolomé Esteban Murillo's "The Birth of Saint John the Baptist" on display at The Frick Collection February 10 through May 10, 2009.
Assistant Curator Margaret Iacono discusses Peter Paul Rubens's "The Holy Women at the Sepulchre" on display at The Frick Collection February 10 through May 10, 2009.
Carol Togneri, Chief Curator of the Norton Simon Museum, discusses cleaning Zurbarán's painting with Mark Leonard, Chief Conservator in The J. Paul Getty Museums Painting's Conservation Department.
Diego Rodríguez de Silva y Velázquez (1599-1660), King Philip IV of Spain, 1644, oil on canvas, 51 1/8 in. x 39 1/8 in. (129.86 cm x 99.38 cm), Henry Clay Frick Bequest, 1911.1.123
Hans Holbein, the Younger (1497/1498-1543), Sir Thomas More, 1527, oil on oak panel, 29 1/2 in. x 23 3/4 in. (74.93 cm x 60.33 cm), Henry Clay Frick Bequest, Accession number: 1912.1.77
Agnolo di Cosimo di Mariano Bronzino (1503-1572), Lodovico Capponi, 1550-55, oil on poplar panel, 45 7/8 in. x 33 3/4 in. (116.52 cm x 85.73 cm)Henry Clay Frick Bequest, 1915.1.19
James Abbott McNeill Whistler (1834-1903), Arrangement in Black and Gold: Comte Robert de Montesquiou-Fezensac and James Abbott McNeill Whistler (1834 - 1903) and Arrangement in Black and Brown: Miss Rosa Corder
Martin Carlin (c. 1730-1785), Mechanical Table with Sèvres Porcelain Plaques, c. 1781; Tripod Table with Sèvres Porcelain Plaques, c. 1783; and Gilt-Bronze Tripod Table with Lapis Lazuli Top, circa 1785.
Rembrandt Harmensz. van Rijn (1606-1669), The Polish Rider, c. 1655, oil on canvas, 46 in. x 53 1/8 in. (116.84 cm x 134.94 cm), Henry Clay Frick Bequest, 1910.1.98
André-Charles Boulle (1642 - 1732), Kneehole Desk withTendril Marquetry, c.1700, brass, tortoiseshell, ebony, gilt-bronze, black leather on oak, fir and walnut, 30 3/4 in. x 57 7/8 in. x 2 15/16 in. (78.11 cm x 147 cm x 7.46 cm)Henry Clay Fric
Frans Hals (1581/1585-1666), Portrait of an Elderly Man, and Portrait of an Elderly Woman, oil on canvas, 45 1/2 in. x 36 in. (115.57 cm x 91.44 cm), Henry Clay Frick Bequest, 1910.1.69
Jean-Auguste-Dominique Ingres (1780-1867), Comtesse d'Haussonville, 1845, oil on canvas, 51 7/8 in. x 36 1/4 in. (131.76 cm x 92.08 cm), Purchased by The Frick Collection, 1927, 1927.1.81
Giovanni Bellini (c. 1430-1516), St. Francis in the Desert, 1480, oil and tempera on poplar panel, 49 in. x 55 7/8 in. (124.46 cm x 141.92 cm), Henry Clay Frick Bequest, Accession number: 1915.1.03
John Constable (1776-1837), The White Horse, 1819, oil on canvas, 51 3/4 in. x 74 1/8 in. (131.45 cm x 188.28 cm), Purchased by The Frick Collection, 1943, 1943.1.147
Rembrandt Harmensz. van Rijn (1606-1669), Self-Portrait, 1658, oil on canvas52 5/8 in. x 40 7/8 in. (133.67 cm x 103.82 cm), Henry Clay Frick Bequest,1906.1.97
The history of these paintings -- one of the most powerful evocations of love in the history of art -- is linked with the career of the Comtesse du Barry, the last mistress of Louis XV. For a pleasure pavilion she commissioned from the architec
The history of these paintings -- one of the most powerful evocations of love in the history of art -- is linked with the career of the Comtesse du Barry, the last mistress of Louis XV. For a pleasure pavilion she commissioned from the architec
In Mr. Frick's day, Rembrandt was the most highly regarded Dutch old master. In our time, he has been supplanted by Vermeer. In place of Rembrandt's bombastic splendor and unrestrained emotions, Vermeer offered images of puritanical order and q