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The House of Rebels Podcast

House of Rebels Theatre

The House of Rebels Podcast

A weekly Arts and Performing Arts podcast
Good podcast? Give it some love!
The House of Rebels Podcast

House of Rebels Theatre

The House of Rebels Podcast

Episodes
The House of Rebels Podcast

House of Rebels Theatre

The House of Rebels Podcast

A weekly Arts and Performing Arts podcast
Good podcast? Give it some love!
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Episodes of The House of Rebels Podcast

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"Even apolitical theatre is political. There's no Art for Art's sake - I don't believe Oscar Wilde."House of Rebels sits down with theatre maker Ted Witzel to discuss his craft, as well as the latest iteration of his long-running Lulu serie
For the second year in a row, House of Rebels will be producing an original play in the Toronto Fringe Festival. The Resurrectionists, written by Ross Hammond, is a dark comedy set in rural Ontario in the 19th century.The RoleWe are casting She
Toronto’s most exciting new physical theatre company presents KATA, a powerful testosterone charged piece examining how far a performer can be pushed past their physical limits while on stage.Make sure to see KATA - opening November 11th 201
Epigraph Collective's co-Artistic Director Curtis TeBrinke tells us about the projects lined up for 2016, including the Fringe Festival, being part of Filament Incubator's season, and a documentary about home.
Filament Incubator is a name that everyone should know as the Toronto Theatre Scene evolves and grows, particularly in the independent sector. Today, House of Rebels talks to one of the co-creators about just how exactly one strikes out to d
"Life's a f*cking brothel."- James Éoghan, 2016
Little Black Afro's Luke Reece talks candidly about "Carbon" a new remount of an old favourite.
King of the Castle: Toronto Fringe Festival 2016House of Rebels Theatre would like to cordially invite you to audition for our premier stage play, taking place in the 2016 Toronto Fringe Festival. King of the Castle is the first full-length wor
"Then takes this friend's advice. Not to bring you down, but if it doesn’t work you really don’t have much to lose..."
Written by Nicole De Angelis and performed by the talented folks at Raw Matter.
"After everything... every late night, early morning, barely-time-for-a-smoke break, handing over the fruits of my labours like some sacrifice to the corporate gods, and what do I get?"
Alright so, not a broadcast. You caught us. Not in the way that you've come to expect from us. This is a letter. A missive. A thank-you.If you're reading this, chances are that you've listened to the work that House of Rebels has been producing
"I was just a kid who couldn't keep his mind on anything for longer than five minutes, but I could just sit on that dock and watch her."
Thomas McDevitt gives us a tale inspired by "I never thought I would see you here again..."
"Her name is Judy. She is perfection standing under the west coast sun. I introduce myself..."
"It's not the bullet with my name on it that worries me. It's the one that says 'To Whom it May Concern'."-Anonymous Belfast Resident, 1991
"I felt like such an ass for the whole Christmas holiday. My mom forgave me that same night, because that’s just the kind of person she is. She doesn’t hold grudges."
A boy, a girl, a monster, a storm.
"She tells me things.""She’s told me things too, you sick…You make me want to throw up."Listener beware, this story might... Well... You'll see.
Let's take a moment to catch both our breath, and up with old friends.I Was Once on Fire - on stage April 21st - 26th, 2015.
Murmurs: In January fourteen playwrights selected a random - with the understanding that they were guaranteed to share the same prompt as at least one other artist. These prompts were to act as open-ended sentences, inspiration which the writer
Murmurs: In January fourteen playwrights selected a random - with the understanding that they were guaranteed to share the same prompt as at least one other artist. These prompts were to act as open-ended sentences, inspiration which the writer
In January fourteen playwrights selected a random - with the understanding that they were guaranteed to share the same prompt as at least one other artist. These prompts were to act as open-
Murmurs: In January fourteen playwrights selected a random - with the understanding that they were guaranteed to share the same prompt as at least one other artist. These prompts were to act as open-ended sentences, inspiration which the writer
Natasha is a professionally licensed couples councillor. She has spent the majority of her career assisting married couples, primarily with children, reconcile their differences, and find the healthiest options for everyone in troubled relat
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