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The Indy Mogul PodcastEpisodes
Episodes of The Indy Mogul Podcast
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Have you ever wondered what work goes inside your favorite movies and YouTube videos? Then today's your lucky day! Joining us is Harold Skinner, the gaffer for Fight Club, Interstellar, and so many other classics! This episode is a little diffe
Since 2005, RED has become the dark horse of the film industry, promising insanely high resolutions and frame rates that will hold up to any camera system from ARRI to Canon to Sony. Their new RED Komodo shows the promise of a high quality 6K s
Finding yourself in the world of filmmaking is often an exciting adventure, then met with questions and trials. But those who stand the test of time will know it's meant for them. Today, Andy Lowe, the chief electrician for works such as Paddin
Back again with another episode about Production Design, because it really is just as important as the actors and lights you place in your scene! Joining us this time is Ian Phillips, the designer behind TV shows such as Parks and Recreation, L
You think sound goes unnoticed in film? Production Design will take that up to 11! Join us with Sam Licenso, PD for movies such as Eighth Grade, Uncut Gems and Frances Ha, as we discuss how to modify and build sets to fit all types stories, fro
We've all been there. Heck, some of us are still there. It's that moment when you're working as a receptionist in an office wondering, "When will I have my big shot at making movies?" Cinematographer Alex Disenhof may have a few tips and tricks
We've all heard stories about directors like Steven Spielberg getting his start by walking on a Universal Studios set. For a cinematographer, it's quite different. Colin Watkinson, the visionary behind the Emmy-winning show The Handmaid's Tale,
How to you get into the film industry? Do you have to cut your teeth on set and work all the time? How do you find what part of the industry you should pursue? Lachlan Milne, ASC, gives us his thoughts on this ever-changing question. He st
Let's compare a filmmaker today to the filmmaker of yesterday. Movies were created with an actual strips of film in motion, lit by bright and hot tungsten lights in studios. Today, the modern filmmaker has so many options to shoot their project
Visual Engineer? Most people wouldn't be familiar with that job title. It takes a very unique person to bridge the gap between machinery and art, and that's what Steve Giralt represents. He is the founder of The Garage, a production company tha
For you up and coming camera operators and DP's out there, this one's for you. Jeremy Benning, CSC, hangs out with us to talk about his journey as a cinematographer. Based in Toronto, Canada, Jeremy started out as a steadi-cam operator for musi
It may be hard to believe, but there was a time that the same filmmakers who produced the movies we watch in the theaters were also working for free on films that nobody knows the names of. For some, a little luck is required. For Stefan Dus
For those of you who consider yourself as a filmmaker, there's a good chance that you didn't start off that way. For our guest Casey, he started out in the army before finding his calling as a cinematographer. To start off on the bottom floo
Filmmaking can be such a bizarre career to pursue; schedules are crazy, your income fluctuates constantly, friends can change, and sometimes you fall on your head and make a feature. That's Mike Pecci's story, a feature filmmaker in the indie w
Here's a story you haven't heard before. You're playing NCAA basketball, only to have your leg injured which will cost you your livelihood and force you down a different path. You sell water coolers for a couple of years after school because
Cinematographers will often say that the key to their success is their collaboration with production designers. After all, it's hard to make a good-looking image without good-looking set pieces of fill the frame. As filmmakers, it's can be h
The American Society of Cinematographers. To many, it's just a fancy title at the end of many prominent names. To some, it's a brotherhood. Richard Crudo, ASC, cinematographer of many well-known films and commercials, remembers the clubhouse
One of the first questions that you may get asked about your movie is, "What camera did you shoot on?" Is that meant to take away from your artistry and everything else that you did on a movie? To some, maybe. To others, it can be a sign of res
Sometimes, we mischaracterize horror as a genre with its entirely own set of rules to follow. The truth is, horror can come from anywhere, in any form. Michael Fimognari, the cinematographer to many successful horror films such as Doctor Sle
Joseph Kahn, legendary music video director for artists such as Britney Spears and Taylor Swift, has led an incredible life. From dropping out of film school to working on gangster rap videos, he scrapped together everything he could to be w
A cinematographer, like a painter or musician, is an artist, and every artist has their own personal tastes. It's easy to fall into the artistic trends of the decade, but what's more important is what the artist brings from within, according
If you thought moving your entire life to Los Angeles to pursue filmmaking as a career was scary, you're absolutely right. It can be grueling to make it as a director or cinematographer on your own, which is why it's important to connect wit
Shooting a TV show is vastly different from shooting a movie. Period. Instead of a director, you are met with the visions of show runners and producers. Instead of one cinematographer, there could be multiple working on the show at once. As the
The popular, Emmy-winning series Chernobyl is hailed for its commitment to realism and historical accuracy, and the cinematography makes sure to uphold such values. On this episode, Jakob Ihre, the show's DP, talks about his career leading
Everyone ha a different story. The struggles, the victories, the golden days, and the failures. Shawn talks about his path to become a creative photographer and cinematographer. This story can give inspiration & hope for others on similar
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