Episode Transcript
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0:00
Hi, Chris and Jen here. Hello. You're about to
0:02
listen to episode four of Truth and Claw. But
0:04
just before that, a quick message to say that
0:07
we'll be taking a mid-season break next week before
0:09
returning in two weeks with episode five and the
0:11
rest of the season. In the
0:13
meantime, a reminder that this Thursday, the 14th
0:15
of March, sees the publication of the first
0:18
Victorious D novel, High Voltage. We
0:20
are extremely excited about High Voltage.
0:22
It's a brand new Fleet and
0:24
Clara adventure. It's got kidnappings, bank
0:27
heists, the Brunellians, and how they
0:29
really work. Because it's a
0:31
novel, it's an absolutely huge story
0:33
of true victoriosity scale. And we
0:35
want to say an enormous thank
0:37
you to everyone who has already
0:40
ordered, and in some cases, because
0:42
of some very eager bookshops, received
0:44
your copies. Now, if you're thinking,
0:46
oh, High Voltage sounds like a lot of fun,
0:48
I'll get around to ordering that at some point.
0:50
First of all, you are right. It is fun.
0:52
But also, what would really, really help is if
0:54
you place your pre-order or order right
0:56
now, or at the latest by Friday
0:58
night. Why? Because they all go into
1:00
week one sales, which is our best
1:02
chance of making a splash with bookstores
1:04
and online search rankings, both of which
1:06
would obviously be a huge boost, bringing
1:08
new readers and new listeners to the
1:10
show, and ultimately helping us keep making
1:12
more of both. We don't have
1:15
a huge marketing campaign behind us. We are relying
1:17
on people who love the show to buy the
1:19
book and spread the word. So if you like
1:21
what we do and would like to support us,
1:23
please consider placing a pre-order or order of High
1:25
Voltage by Friday night. Every single copy
1:27
can make the difference. You can
1:29
order from lots of places in the
1:32
UK and other parts of Europe, and
1:34
in the USA and worldwide, you can
1:36
order with free international shipping from the
1:39
excellent British bookstore, Blackwell's. All
1:41
the details are on our website at
1:43
victoriosity.com. Thanks
1:45
for listening, and enjoy episode
1:47
four of Truth and Claw.
1:53
Victoria City, Truth and Claw by Chris and Jen
1:55
Sugden. Episode four. Money
2:18
can't be happiness, the writer and social
2:20
commentator Michael Monkfish wrote in his third
2:23
book of Discount Wisdom's Penny for My
2:25
Thoughts. But, he continued, money
2:27
can keep certain kinds of unhappiness from
2:29
getting totally out of hand, which is
2:31
why all royalties from this book will
2:33
be going towards the restoration of the
2:35
Baroness Kiel's dining room. And once again,
2:37
my deepest apologies for what I now
2:39
realize was behaviour wholly unsuited to awake.
2:43
Monkfish's fate temptingly positioned dominoes of debt
2:45
aside, his point was, in general, a
2:47
good one. But what it didn't
2:49
account for were some situations in which money
2:51
itself was the cause of the circumstances getting
2:53
totally out of hand. As Inspector
2:56
Fleet and Clara Entwistle were now discovering,
2:58
tasked by Detective Chief Inspector Keller with
3:00
tracking down whoever was responsible for the
3:03
so-called Beast attacks plaguing the city, they
3:05
had travelled to the village of Bishop
3:07
Bromley, on the edge of the Boundary
3:09
Forest, where the Beast had supposedly first
3:11
struck. Once there, however, they
3:13
learned that the supposed killing by the Beast of
3:15
a young man, Otis Heepee, had in fact been
3:17
simply a terrible accident in which he had fallen
3:20
off a roof and broken his neck. Or rather,
3:22
a terrible accident in which he had fallen off
3:24
a roof and broken his neck, and then his
3:26
friend had panicked and dragged his body out to
3:28
the woods for the wolves to nip-lat. Which
3:31
they did. Barely moments
3:33
after Fleet and Clara had untangled this
3:35
mystery, however, they had run across an
3:37
even more curious one. A man, or
3:39
man-shaped thing, but seven feet tall and
3:41
covered in brambles in the middle of
3:44
the woods, throwing money at some villagers
3:46
in exchange for them having performed, at
3:48
its behest, a minor act of poultry-based
3:50
mischief. This is still,
3:52
it seemed that Otis Heepee's death had itself
3:54
been the result of a similar exchange prompted
3:56
by this lightly terrifying forest person. What
3:59
was this? creatures' business with the villagers of Bishop's
4:01
Bromley? Was it related somehow to the
4:04
other deaths attributed to the beast? What,
4:06
above all, was it? And what other
4:08
horrors might lurk in this immense, city-bounding
4:10
woodland, where most people knew better than
4:13
to go? These were the
4:15
sort of questions that Fleet and Clara had
4:17
in their minds as they chased this lavishly-spending
4:19
Bramble person through the blackness of the midnight
4:21
forest. These, as well as the more
4:23
pressing question, exactly how far does
4:25
this stupid thing plan on running? Where
4:30
is he going? There's nothing out here! Maybe
4:33
there is. Maybe he has a lair. A
4:35
lair? A hideout, please. But Wilder, I'm more
4:37
sinister. I know what a lair is. Then
4:39
what's the problem? It's inadvisable to run into them.
4:41
All we need is the element of surprise. We're
4:44
in a pursuit! It's the opposite of surprise!
4:46
Wait! What? Can
4:48
you hear him anymore? No. Bah!
4:51
Bah? Bah! An expression of irritation,
4:53
Fleet. I'm not sure I've ever heard
4:55
you express irritation. Well, what would you say? I
4:58
wouldn't know. I'm never irritated. He certainly
5:00
moves quickly for someone covered in brambles. Maybe
5:02
there's a track or he's dropped something. It's
5:04
hard to tell. I can barely see the
5:06
trees. Everything all right? Can
5:10
I offer
5:13
you a handkerchief, Clara? Can't you smell
5:15
that? Smell what? Well... Hmm...
5:18
Almost. Almost what? Almost.
5:21
Hmm... It's ham! It is
5:23
ham! It
5:25
is ham! I think it's honey
5:27
glazed. No, I've heard of this.
5:30
We're outside the city in the middle of the
5:32
woods, no idea where we are. We've gone forest
5:34
mad. We haven't gone forest mad. There's
5:37
ham here somewhere. I think
5:39
it's over. Oh yes! Here it
5:41
is on this stump. Just the ham
5:43
by itself or any mustard set out. Mustard?
5:45
With honey glazed? Oh, quite right. I don't know what I
5:48
was thinking. Maybe it's a clue to the location of
5:50
the lair. Wait. Let's have
5:52
a look here. That's not looking. That's grabbing. Wait! AHHHHHHHHH!
6:00
Hello? Who's down there? Well,
6:03
well, well. Miss Pap was
6:05
told! Oh god. Would you
6:07
rather someone else had caught us?
6:09
Possibly. Look what old Gertie's caught
6:11
in her best creature-catching net! The
6:13
fabled detective of the forest! Solving
6:15
crimes of the woodlands since time
6:17
immemorial! I never thought I'd see
6:19
the day. It's night! And what
6:21
on earth are you playing at? I would
6:23
have thought that was obvious from your current
6:25
predicament, Inspector. Showing the Baron here
6:28
how to place the perfect beast trap. The
6:30
old net and ham. It's a classic. Because
6:32
it works! The black dog's claws
6:34
would slice through that netting in seconds. And
6:37
I do not think it would be fooled
6:40
by bait you clearly acquired at a butcher's.
6:42
E contrario, Baron! The net and ham was
6:44
how I caught the Grimsby Grimm. You didn't
6:46
catch the Grimsby Grimm. There's several
6:48
local newspaper headlines, along with
6:50
some really smashing photographs of my
6:52
profile, that say I did. Although
6:55
in truth, the Grims did turn out to
6:57
be just an Irish wolfhound who'd fallen in
6:59
some mud. And you mark my
7:01
words, Baron, the beast will be just the
7:03
same. Or possibly a great day.
7:06
Or a push, a German shepherd. The breed,
7:09
obviously, not Fraulein Bopeef. If you
7:11
are quite finished. She is never
7:13
finished. I am not trained for this. Is
7:15
there something you need, you two? Need? No,
7:17
we're perfectly happy up here in this net, aren't
7:19
we, Clara? Maybe a wall hanging wouldn't go amiss.
7:22
A nice rug for wherever the hell our feet
7:24
are. Since you've established we're not the beast,
7:26
could you let us down, please? Of
7:28
course. Brace yourselves. Slowly.
7:30
I'd do it quickly, if I
7:32
were you. No, I- AHH! AHH!
7:34
AHH! AHH! Ow! AHH! You're
7:38
welcome. Thank you. Now,
7:40
I don't suppose either of you saw a
7:42
seven-foot part tree, part bush, part man thing
7:45
come this way. It threw some
7:47
money at some people from Bishop's Bromley, in exchange
7:49
for them releasing someone else's chickens. You
7:51
speak of the Barganer. Barganer? A myth.
7:53
From around the old forests of the
7:55
Midlands, when the Midlands were the actual
7:58
Midlands and not the Boundary Forest. If
8:00
I'm not mistaken, hey Baron. Apart from calling
8:02
it a myth rather than a creature, you
8:05
are correct. The Bargainer is
8:07
a trickster spirit of the woods, enticing
8:09
foolish people with silver to undertake jests
8:11
and japes on others for its own
8:13
amusement. Well, trickster spirits aren't a real
8:15
thing, but it sounds like we're after
8:17
someone dressed in a Bargainer costume. Don't
8:19
get distracted, detectives! We're here to
8:21
find the Beast. This person dressed
8:23
as a Bargainer is why Otis
8:25
Heepee is dead. We have to
8:27
find out who they are and put a stop to it. And
8:30
besides, maybe it's the Beast as well. The
8:33
Bargainer and the Beast are from
8:35
completely different branches of the cryptotaxanomical-
8:38
They're both mythical creatures. They're both causing harm
8:40
or mischief to people. And if you're willing
8:42
to play dress-up as one sort of monster,
8:44
why not another? Right. Plus we're
8:46
only even up here in this forest because of
8:48
a supposed Beast sighting, and now we run into
8:51
this Bargainer thing. It's too coincidental. They can't
8:53
be swayed, Baron. They have
8:55
the passion of the traits in their hearts. Come
8:57
with us. Our tracking of the Beast is not
8:59
yet done. We'll catch up with you. Or
9:01
perhaps we'll just catch you if you
9:04
go ham-tinging again. Ha ha ha ha!
9:06
Right, Baron. Five pounds says the Beast is
9:08
two Labradors side by side covered in pudding
9:11
or something. Last one to find them's a
9:13
rotten egg! I
9:16
did not agree to the pudding, wager. We will vouch
9:18
for your honour, Baron. You might be a rotten egg, though,
9:20
if you don't get a move on. She has
9:22
no power to make such pronouncements. I
9:24
refuse to participate in... Ha ha ha! There
9:28
he goes. Fleet
9:32
and Clara resumed their pursuit of the Bargainer through
9:34
the forest. They moved
9:36
slowly now the trail was cold, and the
9:39
hot-footed frenzy of the chase had given way
9:41
to cool perseverance, and the room
9:43
temperature hoped that their quarry could still be
9:45
found. The investigators clumped their
9:47
way doggedly across the moss, earth,
9:50
and undergrowth, until finally they were
9:52
greeted by the sight through the
9:54
trees of the low-burning orange of
9:56
the sunrise, a sight that would
9:58
have been more comforting had it arrived several times. hours
10:00
later when it was supposed to. What
10:03
is that? I don't know. As
10:07
they approached the false dawn, it grew brighter
10:09
and higher, and resolved itself into what it
10:11
truly was, a town. Or
10:14
rather, a vast number of streetlights tracing out
10:16
the length and breadth of the town, and
10:18
casting their glow up the sides of enormous
10:20
brick buildings, standing in a grid that was
10:23
as orderly as the forest around it was
10:25
wild. Fleet and
10:27
Clara soon reached the edge of the
10:29
settlement, hopped over a low-boundary wall, and
10:31
wandered into town. The
10:33
cobbled streets were lined with
10:35
buildings of industry, factories, warehouses,
10:38
offices, all the same red brick,
10:40
all as clean as the day they'd been built.
10:43
There were no people to be seen, however,
10:45
and after a few turns, Fleet and Clara
10:47
found themselves on a wide avenue. It
10:50
was grand, flanked by columns of
10:52
neatly pruned ash trees, a
10:54
banner suspended from the buildings on either
10:57
side introduced this thoroughfare as Determination Way,
10:59
and on an island in the center
11:01
of the avenue there stood a large
11:03
statue, a man, in his early fifties
11:06
perhaps, sitting on a bench in
11:08
a smart but modest suit, beaming with
11:10
satisfaction through his ample thicket of facial
11:12
hair at either the town or the future
11:14
or both. At the
11:16
base of the statue there was another bench,
11:18
and on it another man, a very
11:21
similar-looking man, except this one was
11:23
actually real. He was
11:25
in his late fifties perhaps, in a
11:27
slightly tattered modest suit, beaming with
11:30
a satisfaction even greater than that of his
11:32
stone twin above, and so enraptured by his
11:34
surroundings that he gave no sign of even
11:36
noticing Fleet and Clara until they were right
11:39
in front of him. Can't
11:42
sleep, eh? Nor I.
11:44
Who can with all that's yet to
11:46
be done? Sorry? I envy them,
11:48
you know, those whose lights turn out as soon
11:51
as they hit the pillow. I
11:53
don't begrudge them, hard work deserves hard
11:55
rest, but some dreams can
11:57
only be dreamt awake, can't they? How
12:01
can I keep my eyes shut in
12:03
my bedroom when all this is out
12:05
here? Curtains, maybe. Curtains,
12:09
good one. Good
12:12
to see you both. Restless
12:14
minds, that's what I like to see. And
12:17
there's nothing like a stroll round town
12:19
for mind and body. I
12:21
do advise not making a habit of it though. Leave
12:24
the sleeplessness to the older folk. I
12:27
need you both fresh as a pair
12:29
of dew-sprinkled daisies. Need us for what?
12:32
Whatever it is you do here. What
12:35
building are you in? No, don't tell
12:37
me. I can usually guess. Let's see.
12:40
Glass workers. No. Welders
12:43
on the belt line? No. Clugs.
12:47
Shipping clugs. No. A receivables
12:50
clug. Oh, good guess. No,
12:52
it isn't. We don't work
12:54
here. Oh, well then, my
12:57
apologies. Some 15,000 employees
12:59
we house here. I just assumed.
13:02
Name's Burn. Titus Burn. Welcome
13:05
to Burnhaven. My little slice
13:07
of paradise. And
13:09
who might you be wandering through? Clara
13:12
Entwistle and Inspector Archibald
13:14
Fleet. Private investigators. Oh,
13:17
don't often get visits from detectives. What
13:20
are you here for then? And why are
13:22
you here so late? We chased someone
13:24
here who was behaving suspiciously in the
13:26
forest earlier tonight and that. And
13:28
you think this person's hiding out here? Oh,
13:31
they work here. You think one of
13:33
my employees is messing about in the forest?
13:35
Unless it was you. Kind of you not
13:37
to assume my forest running days are behind
13:39
me. But no. Oh,
13:42
you know what this calls for.
13:44
A warrant. A tour. Of the
13:46
factory. Factory singular. There's a
13:48
dozen factories on this side of town alone, miss.
13:51
Where to start? We really don't need a
13:53
tour. We need to find someone. And how
13:55
do you propose to do that without knowing
13:57
your way around, eh? Exactly.
14:00
Actually, No. It's
14:02
settled. authorities. Oh,
14:04
I'd never get to the movies myself.
14:06
Come on then. We'll take
14:09
a less down a to the old buildings
14:11
where it all started. Titus.
14:15
Been that the investigators along the avenue
14:17
and deeper into town explaining the purpose
14:19
of every building they passed and occasionally
14:22
throwing up facts and figures about their
14:24
output that Sleet and Tara could not
14:26
understand but assumed from Burns beaming smile
14:28
were impressive. And. They were correct
14:31
to do so because Bernie even was
14:33
indeed impressive and home to some of
14:35
the largest and most efficient factories and
14:37
all of even Greater London, making every
14:40
conceivable good plus if you inconceivable ones
14:42
just for good measure. As
14:44
they walked the buildings grew even larger
14:46
and from their rooftops giant tower receivers
14:49
picked up was into the sky and
14:51
found out into ornate fractal patterns sucking
14:53
from the at all the energy they
14:55
could like leaves in the sunlight. Burn.
14:58
Through open the doors of several the they
15:01
passed and quickly explained what each made as
15:03
he as fleet and Clara to poke their
15:05
heads inside. But. There was clearly
15:07
one building he had in mind to
15:09
take them to another. It looked identical
15:11
to the rest. Burned began almost to
15:13
skip with anticipation as they reached the
15:15
door. right?
15:18
This is building a team. Used
15:20
to my tin cans in there.
15:22
Now something even more exciting
15:25
when everyone sleep sleep on.
15:27
Giving you a personal to
15:29
are these majestic factories and
15:31
you want to know where
15:33
the beds are? Suited.
15:35
To size is a crime noom. Sticky list
15:37
A house smoke. We're not looking for a
15:39
factory. were looking for a person. There.
15:41
In the dormitory or something dormitory.
15:44
What's your take me for? Every
15:47
worker gets their own little
15:49
slats a one of the
15:51
accommodation neighborhoods larger sized family.
15:54
Little schools, doctors' surgeries,
15:56
everything paid for. Nobody.
15:59
Wants for any. everything, and every
16:01
worker knows their job matters.
16:04
That's very noble, Mr. Byrne. Well,
16:06
you can't take it with you, can you? And
16:09
it doesn't hurt to be able to walk around
16:11
town and show off the new contraptions we're working
16:13
on? Such as this
16:15
beauty! Byrne
16:18
flung open the door, and led Fleet and
16:20
Clara into a vast space that was unlike
16:22
the other factories they had seen in several
16:24
respects. Firstly, that it was
16:26
almost entirely empty. And
16:28
secondly, that the part of it that
16:31
wasn't empty was an enormous cuboid machine
16:33
in the centre, towering upwards to the
16:35
factory's ceiling like a decent-sized building in
16:37
its own right, and with
16:39
various levers, pulleys, buttons and screens
16:41
adorning its side, and giant mechanical
16:43
arms reaching inwards, as though it
16:46
might tear itself apart from within.
16:52
What do you make of that, then? It's...big.
16:56
Big? It's eight
16:59
storeys' eyes, son. I did say
17:01
big. What is it? Good evening,
17:03
Mr. Byrne. Oh, Trotter! Didn't see
17:05
you there, burning the midnight oil
17:07
again, eh? Well, it tends to
17:09
be the only way I can
17:12
get work done without being constantly
17:14
interrupted. Miss Entwistle, Inspector. This is
17:16
Dr. Algernon Trotter, Chief Boffineer at
17:18
Burnhaven. Been with me
17:20
over thirty years. Pleasure to meet you,
17:22
Dr. Trotter. Hello. Yes,
17:25
well, founding engineer, technically. I
17:27
don't love the term Boffineer. It
17:29
tends to make the sciences seem
17:31
remote and arcane, rather than a
17:34
disciplined profession. Trotter, show them the
17:36
watch-a-ma-make-its. Sir? The
17:38
what? The watch-a-ma-make-its. What's a watch-a-ma-make-it?
17:40
What does it sound like? Gibberish.
17:43
You know, Trotter. This, the
17:45
turn things into other things
17:48
machine, the watch-a-ma-make-its. The arbitrary
17:50
outputs constructor. What's that?
17:52
The name of what I believe you're referring to.
17:56
Good thing it's not you that names the
17:58
machines then, isn't it? Already forgotten it. But
18:00
we're talking about the same thing, right? Doesn't it
18:02
make whatever you ask for? Not
18:04
even remotely, sir. Oh, it's
18:07
made everything I could think of. That
18:09
is true. Fire it up, Trotter. I
18:11
was actually running through some diagnostics. Trotter,
18:13
we have guests! Fire
18:15
up the colossal doodad! This
18:20
is the future of manufacturing.
18:24
Son, go on then. Sorry? Ask
18:26
you for something. What kind of thing? Anything!
18:29
All right, machine, do you in any way
18:31
aid our investigation? I'm not
18:33
a question, son. Ask
18:35
it to make something. Oh,
18:38
an apple. An
18:40
apple? No. No,
18:43
something affectory with me. No. A
18:46
bird! Exactly. That
18:49
input is insufficiently bounded. As
18:51
is the person we are actively trying to
18:54
pursue. You've asked for something a bit broader.
18:57
What kind of birdcage? What
18:59
size? What type of door?
19:01
What material? It's difficult because
19:04
I already have a birdcage. What
19:07
if you did it? I
19:09
suppose I'd go to a shop. A
19:11
shop? Where people are. People like the
19:13
person dressed as a thicket bribing villagers
19:15
into debt by misadventure. We're a fat
19:17
tooness. Where do
19:19
you think the shops get their
19:22
stock from? Wholesale? Well,
19:25
that's correct. They get them
19:27
from fat toons. Look,
19:29
shut your eyes. Let go
19:31
of your preconceptions. In
19:34
your wildest dreams, what
19:37
might it be? Okay.
19:43
Watch me make it. Please make me
19:45
a birdcage. Three feet tall,
19:47
two feet wide, made of wrought
19:49
iron painted cobalt blue. Good.
19:52
Anything else? Um... Oh,
19:55
make the carry handles in the shape of wings.
19:58
Swift wings. And have two... There are
20:00
no three perches running through the centre, but
20:02
make them of wood, horse chestnut, so it
20:05
feels like a branch under the birds' little feet. Lovely!
20:08
Right, I think that's it. Catch a cage
20:11
on a stand. No, legs! It should be
20:13
able to walk around by itself to take the birds
20:15
into different parts of the roof, so they can follow
20:17
the sun or the shade. So it will need
20:19
ponces to know the temperature and stay of the cage,
20:21
and to know to move about when it gets too
20:23
cold or warm. There should be a container
20:26
in the roof of the cage that can release little
20:28
treats on a schedule to keep the birds happy, and
20:30
the cage should be able to adjust the schedule as
20:32
needed. It should be able to
20:34
go outside to take the birds to a walk
20:36
and get them some fresh air. The female might
20:39
try to snore the birds, so it needs to
20:41
be able to defend itself. So it needs arms,
20:43
it needs to understand basic hand-to-hand combat techniques, and
20:45
even if the whole gang of birds sees, the
20:48
cage needs to know to run and hide. And
20:50
if it can't, then as a last resort, it needs
20:52
to release the birds, and to throw itself at the
20:54
assailants, sacrificing itself as a distraction so
20:57
the birds can fly away. And
20:59
you know, they won't be my birds anymore. But
21:01
do birds really ever belong to people? Or
21:04
do we just keep them for a while and tell the birds
21:06
that we're keeping them safe, and really, they should be asking
21:08
why are they being birds? I don't
21:10
know. You get some birds in the birthday
21:12
present, and then one day you wake up
21:14
and you're asking yourself what it means to
21:16
be free for birds or people. Certainly not
21:18
marrying some rich idiot like you're supposed to,
21:20
that's just a different kind of cage. And
21:22
yes, it can move around from fun to
21:24
shade and keep you comfortable, but is comfort
21:26
really what we are all aiming for? And
21:29
if not that, then what? A
21:31
purpose, surely. Bringing the news to
21:34
the people and bringing criminals to justice. What
21:36
more could you want? A birdcage? A
21:38
cobalt blue walking, popping birdcage? Aren't
21:41
fancy things just a distraction from the purpose you
21:43
moved the length of the country to fulfil? The
21:46
vain, impossible notion of becoming the person the
21:49
younger version of you thinks you ought to be?
21:51
But then what else can one do? Is
21:54
the life of a hermit and do without all material goods?
21:57
Go down to furniture, just use in the nude
21:59
in the dark. in your bed in the corner
22:01
making a nest out of your dressing gown until they
22:03
eventually find you and taught you how to
22:05
deadpot. And the people say, oh,
22:07
what a shame. Another promising
22:09
young woman driven mad by society's demand that
22:12
they instruct a machine the size of a
22:14
building at half-past four in the morning to
22:16
design the perfect birdcage. I
22:20
think we're actually out of blue. That's fine.
22:23
Here it goes. Everything
22:25
all right, Clara? She's very late,
22:27
Pete. She's very, very late. It's
22:30
just her midnight everything, Pete. I'll be fine
22:32
after she sleeps. It's my... Look
22:36
at that. Hi, I'm
22:38
Birdcage. Oh, that
22:40
you are. My word. Hi,
22:43
I'm Birdcage. Very good, automaton. I
22:45
must contain birds. Well, we're fresh out
22:47
at the moment. Where are my birds?
22:49
You don't have birds yet, automaton. You've
22:51
just been created. Where are my birds?
22:54
Birds. Where are my birds? Oh,
22:56
God. Stay back. Automaton, await
22:59
instructions. Birds, birds, birds,
23:01
birds. Aah! Birds, birds,
23:03
birds, birds. Birds, birds,
23:05
birds, birds. Hey.
23:11
Well, pipe sir. That's the second robot we've
23:13
watched die in two days. Well, technically the
23:15
first one just got turned off. This one
23:17
is definitely dead. Right.
23:22
I think that concludes this nighttime tour of
23:24
the Naiven. I hope you've been
23:26
inspired by our efforts to build the future.
23:29
Keep up the good work, Trotter. Maybe
23:31
sweep up these dead robot bits before you
23:33
clock off, if you don't mind. You
23:35
two, let's head to my house and get
23:37
a few hours' kip. Right,
23:42
here's your room. I take
23:44
it you're happy sharing. What? Only
23:47
joking. You'll be in this one, Inspector.
23:49
And then miss and twistle your one
23:52
door down. At try to tiptoe if
23:54
you don't mind, my Francis will be
23:56
asleep in the next one over. Francis,
23:58
my daughter. Three and twenty
24:01
this year, if you can believe it.
24:03
Depends when she was born, I suppose.
24:05
Geez, all I've got left since we
24:07
lost my poor Samantha. But
24:09
then who would dare say that's not enough?
24:12
A child is more than any man
24:14
deserves. Anyway, I'm on the
24:16
floor above, so I'll leave you to get
24:19
some sleep. See you
24:21
both for breakfast at six. Six? Factory
24:23
hours here, miss. Early to rise,
24:25
early to bed. But it's not early to bed.
24:27
It's extremely late to bed. Any
24:30
kips better than none. First
24:32
thing tomorrow, we'll figure out if that person
24:34
you're after is here in the town. I've
24:37
got just the idea. Oh, what? Ah, ah,
24:39
ah, ah, ah. Tomorrow.
24:43
Goodnight, detectives. Well,
24:46
two bargainer suspects down, a few
24:48
thousand to go. Think
24:50
it could be Burn or Trotter? It could
24:52
be anyone, but we need something that
24:54
links them. The bargainer costume or being
24:56
spotted arriving back. We'll find
24:58
some more people to talk to tomorrow. Let's talk
25:00
to Dr Trotter again. We didn't get much of
25:02
a... Is that the
25:04
window? Yes. Is there someone out there? Quick,
25:06
in this room. We should confront them. You don't
25:08
want to confront Housebreakers Clara, and you really don't
25:10
want to confront their crowbars. We should take them
25:13
by surprise. What
25:18
can you see? Rippens or something, Clara, because
25:20
you've put yourself above me looking through the
25:23
crack in the door when I'm clearly taller
25:25
than you. Sorry. My first time spying. I
25:27
thought I could use you for greater stability. It
25:29
seems to be working. I can see very well.
25:31
I'm glad. They're coming in. They're
25:36
coming this way. It's a woman. Housebreakers
25:39
often women. Sometimes. Not often. She
25:43
stopped outside Francis' room. Fleet. Wait
25:45
a minute. Wait. Wait for what? She
25:48
has a key. She does have a
25:50
key. That's either the most prepared housebreaker I've
25:52
ever seen or... Or Francis
25:54
Burn wasn't quite so asleep after all.
25:59
Morning came. or rather since it was
26:01
already morning, continued for a bit until it was time
26:03
to get out of bed. And Fleet and Clara left
26:05
their rooms to find they were alone in the house.
26:08
In the dining room downstairs, no places were
26:10
set. In fact, it looked as though it
26:12
was hardly used at all, and instead there
26:14
was simply a note which read, Head
26:17
to the canteen. Detectives!
26:23
Signed you a spot! Oh, for God's sake. Would
26:25
have preferred to choose your own. I would have
26:27
preferred to thousands of other people in this room,
26:30
including any bargainer in hiding, not to know who
26:32
we are. Well, I don't think we would have passed
26:34
the factory work for a lot. What job could
26:36
you ever do here? I don't know. I
26:38
could smelt something, maybe. Do you know
26:40
the first thing about smelting? Yes, but
26:43
not the second thing, so I doubt it'll last long.
26:46
And you? Rivets. Rivets? Rivets, indeed.
26:48
Not making them, or fixing them?
26:50
I don't mind. I just like
26:52
the word rivets. Good morning, Mr.
26:54
Byrne. And a very good
26:56
morning to you, Miss Entwistle. Inspector.
26:59
Rave a fuse. Let's get you some
27:01
grub. Oh! Menu's on the console there.
27:04
You've got your eggs, sausages, fried
27:06
bread, your good, honest porridge, all
27:09
in whatever combination you feel will best get
27:11
you through the day. Just push the buttons
27:14
in front of you, and within a few
27:16
minutes, your food will appear like magic. But
27:18
it's not magic, of course. It's the hard
27:21
work of the army of chefs we've got
27:23
in the kitchen facility. And all delivered using
27:25
Trotter's food delivery system. You
27:28
remember Trotter here, do you? Yes, we met
27:30
only hours ago. Good morning, Buzz. How do
27:32
you all survive on so little sleep? Strength
27:35
and will, and a lie-in
27:37
on the weekends. Also a nap in
27:39
the afternoon. Also the coffee pipes? The
27:41
what? Do you know how much more
27:44
productive the average worker is with coffee?
27:49
We measured it. But pipe? Right
27:51
in front of you. See the little taps
27:54
coming up from the table? That's a coffee
27:56
tap. Try it, son. Grab a
27:58
mug from the basket. All right. My
28:04
God, he came to me in a dream
28:06
and then Trotter figured out how to actually
28:08
make it work. He's a genius,
28:10
you know. Can you tell us
28:12
the secret, Trotter? The pipes are hot. Amazing.
28:15
Very impressive. In truth, transporting
28:17
the liquid with tolerable temperature
28:19
loss is the easy part.
28:22
The hard part is labelling all the
28:24
pipes clearly enough that the scalding coffee
28:26
doesn't get rooted into the workers bath
28:28
taps. I imagine that'd
28:30
be a joke you wouldn't
28:32
forget. No, but if
28:34
it was into the kitchen taps, surely.
28:38
Have you thought about bringing this into homes in
28:40
London? Yeah, you don't want coffee coming out of
28:42
a tap in your kitchen. You don't know that.
28:44
Who would want to mess about trying to get
28:46
permission to build things in the city when there's
28:48
the paradise of Bernaiven here to keep tinkering away
28:51
with? Half of how this
28:53
town works is thanks to Trotter and
28:55
no blooming planning committees to deal with.
28:58
Just whatever works best. It sounds
29:00
very rewarding. It really is. And
29:03
speaking of rewarding, here's my
29:05
greatest treasure on the earth. Francis,
29:08
good morning, my dear. Good morning,
29:10
father. You look a bit tired.
29:12
Did you sleep well? I
29:15
was reading, perhaps a little too late. You know
29:17
I can't help myself when I have a good
29:19
book. I do indeed. Well,
29:21
pipe yourself some coffee and you'll
29:23
soon feel yourself again. Thank you.
29:26
Now, Francis, this is Miss Entwistle
29:28
and Inspector Fleet. Please make your
29:30
acquaintances. And we yours. Oh, a
29:33
handshake. How awfully modern. Miss
29:36
Entwistle is very modern, Francis.
29:39
She and Inspector Fleet here are
29:41
detectives. I thought I recognised the
29:44
names. Aren't you also a writer
29:46
for the Morning Chronicler? Yes. I
29:48
have a monthly crime poem. Have you read
29:50
it? I have. Most diverting, I must say.
29:53
Really? Is that a suitable
29:55
subject for young ladies who are out in
29:57
society, Francis? But now I'm a... The
30:00
you said to some source, in fact
30:02
I had my breast. Yes, most industries
30:04
have you a bit like you will
30:06
have to be France's once you take
30:09
over this place. I know you will
30:11
not let me down. Sources: You'll have
30:13
the help of your husband when suddenly
30:15
find him. See them do we
30:17
don't discover he's a complete idiot or
30:20
was a poor innocent with so. What
30:23
brings us to by than after seeing
30:25
business and no one ever comes the
30:27
pleasure I'm sure. They're looking for
30:29
someone who's been playing Miss Chief
30:32
in the Woods pro. Interesting. Nothing
30:34
too serious. I have. Series and as
30:36
a follow them here. Good
30:38
luck to you! Oh that reminds
30:41
me I had that idea for
30:43
finding the first year. after that
30:45
he just kind of hundred adventure.
30:47
I hope we get into stab disturb
30:50
me when we arrived very late last
30:52
night. And your father the kinds that
30:54
pisses off in the guess transsexual. Careful
30:58
it out! Thanks
31:00
to. The morning,
31:02
all. We. Have with us
31:05
today some special guess detectives
31:07
from the city. Looking.
31:09
For someone playing tricks on my friends are
31:11
in the village of Bishops Bromley. Now.
31:14
Personally, I don't take kindly
31:16
to trickery. Trickery stands
31:19
against integrity. And. Demands
31:21
Integrity is a candle that one
31:23
snuffed is bloody. Odds are a
31:25
light. On. Do not expect
31:28
any person a to be this woodland
31:30
miscreants. But. If you all. This.
31:32
Is the opportunity to set things
31:34
right. We. All make mistakes,
31:37
not all make amends. And
31:39
that is where lies character.
31:42
Soil. For this one opportunity
31:44
for anyone here to stand up
31:47
and say what I've seen. Or.
31:49
What they've done. That. Opportunity.
31:53
Is now. Detectives.
32:00
The anyone standing. I don't think
32:02
says. Average age was a. Know
32:05
nor. Do I. Miss.
32:07
Burn Do you see anyone? Know.
32:11
All. Rights load Six Disease Then I'll
32:13
take you at your words, thank you
32:16
and carry on with the a break.
32:18
He's. Is. Aldo
32:21
Much more than that. Can? Yes, yes,
32:23
You can interrogate people. Fifteen thousand people.
32:25
We. Would probably me to. This is help. With that.
32:28
ah he's noise and zags
32:30
same breakfast every morning to.
32:35
You my. Son's
32:38
would have a nice you from
32:40
switchboard of this is for you
32:43
to us looks like this in
32:45
our system a spell we did
32:47
well. he's waiting on a location
32:50
to for we're apparently surgeons. Where
32:52
can we receive the full as
32:54
a blue than the street outside.
32:57
The operated in connect you to choose a.
32:59
The truth Confessed midst of an. Oath
33:02
as good a lot. That's right,
33:04
them since Nixon was So yes,
33:07
I would love to hear a little about
33:09
selling Sun City. Meeting
33:11
an hour at the Balance down the
33:14
road it's very early in the mood
33:16
for the probably Us and financing send
33:18
me. Wellfleet.
33:24
Well as a dinner which evidence for
33:26
the item see the balcony Oh yes
33:28
would you think. It's
33:31
from C Span of course. What makes you
33:33
say that? Woman
33:35
from a wealthy and. Very
33:39
like the present and is looking for
33:41
the excitement. Semi rich that took
33:43
silver titans play pranks on us and
33:46
it's an elaborate costumes Not to mention
33:48
she clearly has barely set up we
33:50
saw has me seen last night. Strong
33:53
case, don't you think? Oh no, it's
33:55
definitely her. So the reasons I said
33:57
partly that mainly because her father's didn't.
34:00
bench in front of thousands of people and
34:02
asked if anybody there was responsible. And? Well
34:05
that's quite an interesting question. And? And
34:07
she just stared at the table, which isn't what
34:09
you do if you're curious about the answer. It's
34:13
quite a small phone booth, do you want to
34:15
speak to Septimus or...? Oh! Oh!
34:18
Clara! See? There's
34:20
easily room for both of us in here. Not decently!
34:22
You know people can see us, right? This thing
34:24
is entirely Windows! People have better things to
34:26
worry about than two people in a phone booth. You'd
34:29
think so, but... Operator! Hello!
34:32
This is Clara Entwistle and Inspector Pete. Switchboard said there was a
34:34
woman waiting for us. Connecting. Miss Entwistle! Inspector!
34:37
Good. I thought you might have wound up at Bernaven. I've
34:40
seen sardines with more elbow room. Just proving a point, Dr. Bell. I'm
34:43
not sure. I'm not sure. I'm not
34:45
sure. I'm not sure. I'm not sure.
34:47
I'm not sure. I'm not sure. I'm
34:50
not sure. I'm not sure. I'm
34:52
not sure. I'm not sure. I've
34:55
seen sardines with more elbow room. Just
34:57
proving a point, Dr. Bell. Well, whatever
34:59
it was, point proven. Do
35:01
you have something for us, Septimus? I certainly
35:04
do, Inspector. You know how last
35:06
night I was camping out outside the village of
35:08
Bishop Spromley? Yes, we were
35:10
with you. And how I was waiting
35:12
until the mid-list night to exhume the
35:14
body of poor Otis Heepee, the young
35:16
man believed to have been the first
35:18
victim of the beast? Yes, Dr.
35:20
Bell. So that... ...that I
35:22
might conduct a post-mortem examination,
35:25
determining if his injuries were consistent with
35:27
such a theory? Septimus, what have
35:30
you found? Well, brace yourselves. We're
35:32
already braced! We can't move an
35:34
inch in here! Then curd your
35:36
loins! Excuse me? Metaphorically, of course.
35:38
Septimus. Sorry. My conclusions are
35:40
as follows. The young man was
35:42
indeed savaged, but only after his
35:44
death by grievous trauma to the neck.
35:48
Yes, he fell off a roof playing a prank, but
35:50
then he was moved to the forest where his body
35:52
was mauled by something. Indeed, but not the beast. Well,
35:55
of course not the beast, Septimus. There's no such thing. No,
35:58
no! I mean it. Even
36:00
whatever it is. People. Think is the
36:02
beast? Are you sure? Well. It's
36:05
the last solutions you see. Dead.
36:07
Give away. The
36:11
rules are simply not as decreases in or
36:13
be strict. As all of
36:15
these calls them, I try not to engage
36:18
in conjecture, but given where the body was
36:20
found, Who. says.
36:22
Food know who? He
36:24
thought most like. I'm
36:27
afraid the with with is simply
36:29
no evidence of any person or thing
36:31
we are calling the. Beast. well
36:34
he told them i'm sort of the now
36:36
that we actually saw particularly given what we
36:38
are the heard people saying about into the
36:41
Barguna to the what know the given a
36:43
to see if he was the entire reason
36:45
we've and came up to the his bromley
36:47
said loner the heat than a than. Mean.
36:50
It's. Open A waste of time thought would go
36:52
that far as factor no time with when.
36:56
He sees them on a case where
36:58
the wrong end of a bloody country
37:00
is a bit of a sit back
37:02
and particularly unfortunate timing given the most
37:05
recent. What nice. Oh you have seen
37:07
it's been in the papers today. Know
37:09
what is it? Well I'm afraid that
37:11
has been another be scaling back in
37:13
the heart of the city, quite far
37:15
away from where you are. Oh bloody
37:18
hell, who is is no details? Yes,
37:20
I must get that. Sweet to
37:22
live by services and. Built
37:24
the picture that stupid aristocratic foods the
37:26
victim interesting guess knowledge you know if
37:29
you collect inspector know devries. It was
37:31
his whole idea to come up here
37:33
and been a wild goose chase. You
37:36
tell him symptoms you tell him he
37:38
is a fool. Well I'm leaving soon.
37:40
As I pack up shop it's easy
37:42
to stop by. I
37:45
probably would. Thank you for
37:47
your help! Talked about ruling out and series
37:49
valuable even if it means we need to
37:52
start again somewhere else. Quite quite. safe
37:55
travels back We
38:05
shouldn't have listened to him. He was very insistent.
38:07
It was tenuous. And now we've
38:10
nothing to show for being here for days.
38:12
Not nothing. Oh? No fleet. A
38:14
young man died because of a prank. A
38:17
prank precipitated by the cruel mischief of a
38:19
bored rich young woman who is waiting for
38:21
us down the street, either to bribe us
38:23
or warn us off, so that she can
38:26
keep doing what she's doing. It's
38:28
not the beast case, but someone died up
38:30
here, Fleet. And we can stop
38:32
it happening again. That's not
38:34
nothing. You're right.
38:37
Let's go speak to the bargainer. No
38:45
coffee taps or pipes in this place, but the landlord brewed
38:47
some up for us. Ooh, thank you. Oh,
38:51
that's hot. He just brewed it up for us.
38:54
Any sign of Francis yet? No sign of anyone.
38:56
But then it is very early to be
38:58
in a pub. And as for Francis, she's
39:00
only 15 minutes late. Why
39:02
are you smiling? You like being kept waiting? No, no, but it's a
39:04
game, isn't it? Game? The mind game, Fleet. The
39:07
mind game. Cat and mouse. She's already started.
39:10
She's done something wrong. We know she's done something wrong. She knows we
39:12
know she's done something wrong. She's...
39:16
Yes, I understand. Probably
39:18
true. What would you suggest we do? We're
39:20
going to be waiting for you. We're going to be waiting for you. Well,
39:23
she will have her line of attack firmly
39:25
planned and rehearsed. Our
39:28
best strategy will be to unsettle
39:30
her by adopting conflicting personalities against
39:32
both of which she cannot hope
39:35
to succeed. Good comfortable, bad
39:37
comfortable. It's a new technique I've been reading
39:39
about. That's not a thing. Also, comfortable
39:41
don't do interrogations. I think we know
39:44
who the grumpy constable is. Oh, she's
39:46
coming. She's the one talking. Miss Entwistle, Inspector. My
39:48
apologies for being late. May I see you for a minute? Of course,
39:50
Miss Byrne. And yes, you are a little late, but no harm done.
39:52
I'm sorry. You'll
40:00
have to pay the good one. Neither of us are constables.
40:02
I'm sorry? Never mind. Miss Burn, you wanted to
40:04
speak with us about what's new in London Central.
40:07
That is what I said. It's
40:09
my word! Clara! Tell us the truth, Francis.
40:11
What? The truth if you know what's good
40:13
for you. What truth? You haven't asked me
40:15
anything. Don't play clever with me. Clara, I'm
40:17
sure if we can't... How many of the poor
40:19
people of Bishop's Bromley have you done your
40:22
bargain address up, Miss DuVonne? Ten? A
40:24
hundred? Ten thousand? That's far more
40:26
than the population. Is there no end to your
40:29
wickedness, Francis? Spending your nights
40:31
tormenting people with your depraved whims?
40:34
I know your type. You would pluck the
40:36
wings of a butterfly suffering as a form
40:38
of sport. And there you sit without a
40:40
shred of remorse, even now only concerned with
40:42
how you might pull the wool over our
40:44
eyes and carry on. But think again, young
40:46
Miss, for you might be as cold and
40:48
unfeeling as steel in the snow, but we
40:50
are not the sort to. Ha ha ha
40:52
ha ha ha ha ha ha ha ha!
40:55
There. Wait, what's happening? She's crying, Clara.
40:57
Yes, I can see that, but... Why
40:59
do you think I even came here? To
41:02
bribe us or warn us off? To confess!
41:05
You obviously know what I've done. It
41:07
was just stupid pranks. I didn't know
41:10
someone would get themselves killed. I didn't
41:12
want that! Then why are you so
41:14
late, if not to put us on the back
41:16
foot? I wanted to come clean to my father
41:18
first, if that's quite all right with you. He
41:21
was very upset with me, of course. He
41:24
thinks I'm perfect, which nobody is, and I
41:26
only just got him to calm down, and
41:28
now you're shouting at me as well! It
41:31
was all just stupid pranks! It's
41:34
so boring here. I
41:36
can't work, I can't leave. Nobody dares even
41:38
look at me because they work for my
41:40
father. I didn't want any of
41:42
this. Just tell me what to do!
41:46
Ha ha ha ha ha ha ha ha! Well,
41:49
you were right, Clara. About what?
41:51
You are a bad, bad comfortable.
41:57
Mm-hmm. Mm-hmm. Mm-hmm. Oh,
42:00
wilderness lad tidying up the head you've never
42:02
let me down yet. Dr.
42:05
Bell. Oh, good lord. Not quite, Doctor.
42:07
Just old Gertie. And the Baron? Well,
42:09
yes. Baron, Miss Babbo's home? Where did
42:11
you come from? Through the flat, man. Good
42:13
to see you too. I'm sorry for
42:16
being jumpy. It's just the people
42:18
of Bishop's Bormley didn't exactly sign off
42:20
on the post-mortem examination that just took
42:22
place here. But it's all
42:24
done and dust to dusted. My
42:27
men booken done, re-burying the coffin as
42:29
we speak. Awfully good of them.
42:31
I offered to help them, but they were
42:34
really quite insistent I didn't accompany them. And
42:37
equally insistent that the body would definitely
42:39
be re-interred and there would be no reason for
42:41
me to check. Such
42:43
professionalism. Sir, what can
42:45
I do for you both? We're looking for Miss Entwistle
42:47
and the Inspector. Have they not returned from
42:49
Burnhaven? No, but never
42:51
fear. I spoke to them just a moment
42:53
ago and they are very well. Oh,
42:56
the Inspector actually had a message
42:58
for you, Baron. Although you might have to
43:01
give me a minute to summon the will
43:03
to tell you it. Never mind that. We
43:05
have a message for them. Oh, but
43:07
about what? It's a little tricky to
43:09
get hold of them, but I was able to pass along
43:12
the outcome of the post-mortem of Otis Heepee. What did
43:14
you tell them? Well,
43:16
just that the death was unrelated to
43:18
the lacerations and that the lacerations were
43:20
unlike those found in the city. From
43:24
which they concluded that the beast was never here at
43:26
all and that they had been wasting their time at
43:28
the wrong end of the country. And,
43:31
if I recall correctly, that
43:33
you, Baron, are, um, slightly
43:36
misguided. Fool! Yes, actually that was
43:38
it. I couldn't bring myself to
43:40
say it. He means you, Doctor.
43:42
What? Why? Because
43:45
you have left those detectives in Bernaven
43:47
thinking the beast was never here. But...
43:50
but it wasn't. Otis
43:52
Heepee's body, it was all a
43:55
misunderstanding. What is that? A
43:57
plaster cast. Yes, yes, I see. see
44:00
that. But of
44:02
what? You know damned well of
44:04
what. I'm
44:10
sorry. It's all just a bit
44:12
much sometimes. Being the owner's
44:14
daughter. Having an entire company
44:16
town waiting for you to take it over. I
44:20
don't know if I want that. But I
44:22
don't know what else I would do. We
44:24
understand. My mother wanted to
44:26
choose a path for me too. I
44:28
never really knew my mother. I just
44:31
know my father misses her desperately
44:33
and he wants my life to be so
44:35
perfect. He means well but...
44:38
It's stifling. Yes. Yes
44:41
that's the word. Ahem. Fleet?
44:45
What is it? Well there is the small
44:47
matter of you dressing up as a woodland monster
44:49
and tricking the villagers of Bishop's Bromley. Of
44:51
course. Of course. Why
44:55
are you here? You invited us. No
44:57
no. I mean why are you even up here
44:59
at the edge of London at all? This
45:01
can't be where you spend your time. We're on
45:03
a different case. Which case? Miss
45:06
Byrne. Please. I was telling
45:08
the truth when I said I was interested in what's
45:10
going on out there. Have you
45:12
heard of the beast? Ah.
45:14
The beast no less. Serial
45:17
murders. Possible mythical creature.
45:19
That's quite a case for a couple
45:21
of private detectives. We help where we can.
45:24
And I'm sure Scotland Yard appreciates it
45:26
very much. How's the case
45:28
going? Fine. And even better once you
45:30
cooperate and we can get back to it.
45:32
Quite the theatrics isn't it? This beast business.
45:34
Is it? From
45:36
what I've read. Miss Byrne.
45:38
Quite the sensation. These things
45:41
on the edge of nature. The
45:43
size. The fur. The
45:46
teeth. The heart-stopping
45:49
sound it must make. Miss
45:51
Byrne this isn't what we're talking about. Different
45:53
yet? But...
45:57
but this is a footprint. An
46:00
enormous... it's the footprint! It's
46:03
the one from the underground! Yes, it
46:05
is. Where did you find this?
46:07
Everywhere, man! Once we were
46:10
deep enough in the forest, we
46:12
found it everywhere. Someone here must
46:14
know something about the beast! They
46:16
may even command it. But
46:18
if such a person finds the Inspector
46:20
and Miss Entwistle, and they
46:22
think the beast was never here, um,
46:24
because I told them that, but
46:27
the person believes they do think it was here,
46:30
then, um, then they're
46:32
cooked, Septimus! Get on the phone!
46:34
And yes, yes, of course. Oh,
46:36
God, which of these boxes did I pack it
46:39
away in? Oh, label,
46:41
Septimus, first thing tomorrow,
46:43
buy some labels! Why
46:47
do you go by Miss? I'm
46:49
sorry? Miss Entwistle.
46:52
Isn't that how you introduced yourself? That's not
46:54
the topic at hand, Miss Burn. Ah, now I
46:57
am a Miss. The question is why
46:59
Lady Entwistle here would go by that.
47:01
You don't know what you're talking about. You're
47:04
a lady! Your father is an earl. My
47:06
father is dead. And my father is new
47:08
money. You think he hasn't had
47:10
governesses teach me about the gentry? The
47:12
Yorkshire Entwistles? Good family.
47:15
Looks like the daughter's down in London
47:17
playing pretend with a policeman, though. I
47:20
am not playing pretend. I am building
47:22
my own life. It's not fun, is
47:25
it? Miss Burn. It's not fun when
47:27
people see you as your family instead of
47:29
as yourself. Everyone who
47:31
speaks to me in this town is speaking to
47:33
someone else. They're putting on an act.
47:36
They think I might tell on them to my father
47:38
or maybe put in a good word. Good
47:40
morning, Miss Burn. Nice to see
47:42
you, Miss Burn. Didn't you
47:45
further my best wishes, Miss Burn? They're
47:47
never talking to me. They're talking
47:49
to the founder's daughter with him standing
47:52
behind and his big, loving hands on
47:54
my shoulders, ready to throw an anvil
47:56
onto anyone who would do me wrong.
47:59
I can't believe it. I'm being
48:01
lied to constantly by everyone.
48:04
But those people at night in the woods,
48:07
they don't see the great Titus
48:09
Byrne, they just see me. You
48:12
understand? I have
48:14
to disguise myself beneath a costume for people
48:16
to see me as me. As
48:19
do you. Only
48:21
my disguise is fabric, a little voice changer
48:24
and the night. Yours,
48:26
Miss Entwistle, is much
48:28
cleverer. But I know
48:30
how it's made. And I can see right through
48:32
it. Miss Byrne, that's enough.
48:35
Is it? What time is it? What? The
48:38
time, do you have it? Quarter
48:40
two. You're right then. Right about
48:42
what? That that's probably enough.
48:45
Enough what? Clara? See,
48:47
I don't know.
48:49
Clara! Bang on time. What
48:53
have you done? And you, Inspector, you brought it
48:55
to her. The coffee. There
48:59
are advantages to being the top man's daughter,
49:01
of course. I can do more
49:03
or less whatever I want in this town. Even
49:06
playfully ask the landlord if I can
49:08
wait in the back and prepare the
49:10
drinks. Oh, God. Help!
49:14
Help! Oh, no, I sent him home. You
49:17
know, it's a shame. You really shouldn't have
49:19
even been here at all. What
49:22
might you call luck that bad? I'd
49:25
say it's positively beastly. And
49:32
in the deep of the midnight forest, you
49:34
imagine yourself alone. Why do you do that? Good
49:37
luck, or at least prevent it. You're
49:41
superstitious. Who can
49:43
say what hell and blind
49:45
wing, beyond the perimeters of
49:47
our quotidian existence? There's
49:50
no such thing as beast. Just
49:53
you, the tree, the
49:55
breed. Talky Joe.
50:00
The smuggling ring last year now. Not
50:02
what lies ahead. Not
50:04
who. There
50:12
are no beastly people. We
50:16
never leave this forest. And
50:20
daylight never comes. Welcome!
50:22
Welcome, baby! Good to see
50:25
you. Join us
50:27
for a hug. Come on,
50:29
baby! Come on, baby! Come
50:32
on, baby! Come
50:34
on, baby! Oh...
50:42
I have... Oh,
50:50
no... Snoring... Huh?
50:56
Oh, yeah? Huh?
51:00
Oh, God, it's fake! Huh?
51:06
Wait, are you guys a
51:08
girl as well? Huh? Oh,
51:12
I got it! Are you a girl
51:14
as well? Oh, God, how can I cough
51:16
a bit on this angle? I'm sorry, yes.
51:21
Huh? There.
51:29
And Mother said me learning to tie a knot in
51:31
a cherry stalk with only my tongue would give people
51:33
the wrong idea. What? Still
51:35
tied up, though. These knots are better
51:37
than the gag. Hold on. What? Okay,
51:40
hold on. I'm going to start the
51:42
tear. I can't understand you, Fleet. Maybe
51:44
you can remove the gag. How strong
51:46
is your tongue? How strong is my
51:48
tongue? What's that noise? I don't know,
51:50
and I couldn't tell you if I
51:52
did. I can't imagine it's anything
51:54
that takes that long to explain. But
51:57
probably we shouldn't wait to find out. No. Hold
52:00
on! Maybe we can break the chairs. That's
52:02
right! Oh, I forgot. Oh,
52:05
you're doing it! Yes,
52:07
good, good! It
52:13
doesn't sound like it broke feet. I think these
52:15
are just quite good quality chairs. What
52:19
on earth? Hello? Awaken
52:26
to bacon! Dr. Bell? Very
52:28
fine. Oh, you're already up!
52:31
Or down, Inspector. Let
52:33
me untie you both. But whom first
52:35
to help? Me. Of course. Can't let
52:38
a lady sit down, that wouldn't do.
52:40
Let me just put this... Oh,
52:43
I smell the bacon now. It's
52:46
in sandwich form. Here, let
52:48
me help you, Miss Entwistle. Oh,
52:53
thank you, Dr. Bell. Help yourself to
52:56
a sarnier, as they say. I'll
52:58
just untie the inspector. Septimus!
53:07
Bacon sandwich, Inspector? They're barbed. I
53:09
know my way around the washer.
53:12
Gave it's the old Septimus sizzle.
53:15
Have one, Inspector. Yes, obviously I am
53:17
going to eat the bacon sandwich. My
53:19
question is, why have you made them?
53:22
I think you've rather answered your own
53:24
question there, Inspector. Because they're irresistible. But
53:26
why now? Here. You knew
53:28
we were in here bound and gagged, and
53:31
you decided to make breakfast. Well, you certainly
53:33
weren't going to make it. You were bound
53:35
and gagged. That's exactly what... That's
53:37
similar to my point. How long have we
53:39
been in here, Dr. Bell? Um, I'm not
53:41
sure. I found you about an hour ago.
53:43
Why didn't you wake us? Well,
53:46
you were unconscious so peacefully. Let
53:49
sleeping dogs lie, that's what they say.
53:51
Dogs! Septimus, dogs! Not victims
53:53
of a drugging and kidnap, and it's
53:55
a metaphor. Well, I have to say
53:57
that of all the receptions I've experienced...
54:00
to my making someone a big surprise,
54:02
this is among the worst! Are we
54:04
in a beer cellar? You are
54:06
indeed, Miss Entwistle. Or
54:09
one assumes, given the kegs and the fact that
54:11
we're slightly below ground. Are we still in the
54:13
bellows? Oh, you know it. We were just drugged
54:15
in it. Is there no one else here? It's
54:17
not even open, Inspector. I only
54:19
stopped here once I hurried into town, because
54:21
I thought it was curious where Pub's lights
54:24
to be on so early. I
54:26
tried the door. The door was locked. But
54:28
fortunately I was able to James
54:31
it open. Using some
54:33
of the little tools from the pocket
54:35
pathology kit, I keep about me at
54:37
all times for just such an emergency.
54:40
Well actually, I suppose it's for an
54:42
entirely different emergency, but it did the
54:44
twig. Wait, Frances drugged us?
54:47
And tied us up in a beer cellar? Why?
54:51
What is she playing at? We should give her a piece
54:53
of our mind. We should give her a four to
54:55
eight year prison sentence. But yes, why has she even
54:57
done this? She wasn't in that much trouble.
54:59
All she's done is a bit of bargain
55:01
and mischief. Septimus.
55:10
Septimus, do you know something? Well, it's
55:12
funny. We'll see. You
55:14
remember how on the telephone I explained the
55:16
results of the post-mortem? I do. And
55:18
you remember how we agreed that
55:21
that meant the beast has never been
55:23
anywhere near here. I do. Ha!
55:27
Well. Has the beast actually
55:29
been somewhere near here, Septimus? Oh,
55:32
we'll look back on this one day
55:34
with fondness. Aunt,
55:37
where things have gone a bit wrong,
55:39
often what give us the best memories?
55:41
And the worst. Granted? Did
55:44
you see where she went? Miss Entwistle, our
55:46
phone call was quite some time ago. I
55:48
suspect that if this woman has scarpered, she
55:51
was several hours into said scarpering by the
55:53
time I arrived. Have you
55:55
tried her home? While bound to Chez. Either
55:57
there or at the home of her friend.
56:00
Or perhaps she made them a lovely breakfast. How
56:02
thoughtful. No, we're still alive, so she must have
56:04
just wanted a head start getting out of town.
56:07
And given she seems to have access to enough money
56:09
to throw silver at people in the woods, if she
56:12
makes it to London Central she'll vanish. Let's go catch
56:14
her then! Where? We'll figure it out on the way!
56:16
On the way to what? Septimus, do
56:18
you have your vehicle? The
56:20
sail...cycle...thing? The Mobile Forensics Laboratory,
56:23
yes? No. Is it quick? It can
56:25
pick up a fair few knots. I'm
56:27
not sure what that translates to on
56:29
land, mind. It only goes on land.
56:31
And oh, how it goes on land.
56:33
Come on then! Oh, the
56:36
three of us together, Widing the
56:38
air along the world, Swooping a
56:40
hill and dale like the graceful
56:43
hobby-hawk. The wind may fill
56:45
our sail, but it is friendship that
56:47
shall lift our spirits. That's...lovely.
56:51
Let me just grab... Ow! Hey, my
56:53
bacon! We're in pursuit, Inspector. This is
56:55
hardly the time for a saunty. But,
56:58
Francis Byrne, we are coming for you.
57:00
To the vehicle! This
57:16
episode of Victoriosity featured Tom Crowley
57:18
as Inspector Fleet, Layla Khatib
57:20
as Clara Entwistle, and Peter Ray as
57:22
the narrator. Gertrude
57:24
Babworth-Tone was played by Sarah
57:27
Bunnell-Seiper, Pip Bedwin was Baron
57:29
de Vrese, and Philip Cottorill was Septimus
57:31
Byrne. With Richard Rycroft
57:33
as Titus Byrne, Susan Harrison as
57:35
Francis Byrne, and Ben Keaton as
57:38
Dr. Tutter. The
57:40
sanders owners were Odin Orne Hillmarthon
57:42
and Dominic Hargreaves, and the
57:44
editor was Maggie Searles. Victoriosity
57:46
is written by Chris and Jen
57:49
Sebbdon, produced by Dominic Hargreaves, and
57:51
directed by Nathan Peter Grassi, with
57:53
original music by John Owen. The
57:56
programme was recorded at Evolution Studios
57:59
in the Pacific. ATTORNEY ARCHIVE
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