Voice Film Club
A weekly podcast
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Voice Film Club
Episodes
Voice Film Club
A weekly podcast
Good podcast? Give it some love!
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Episodes of Voice Film Club
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LA Weekly film critic Amy Nicholson found out first-hand that Michael Shannon is a pretty stern Monopoly player during a recent game with the actor, who plays a tortured Orland real-estate baron in the upcoming 99 Homes. Nicholson and Village V
The upcoming Steve Jobs documentary from Aex Gibney (Steve Jobs: The Man in the Machine) is worth seeing even if you're tired of Apple fanboys -- if only for the curious parallels between Apple worshippers and the members of the Church of Scien
Sam Elliott was wonderful in two movies, and likewise, Judy Greer was a cinematic flavor crystal when she appeared on-screen this summer. Alan Scherstuhl and Stephanie Zacharek of the Village Voice, along with Amy Nicholson of the LA Weeekly, r
On this week's pod: We love Guy Ritchie's stylish, charming THE MAN FROM U.N.C.L.E., while Amy states her case for AMERICAN ULTRA. We move onto Lily Tomlin's memorable performance in GRANDMA (be sure to read our interview with Tomlin, too), bef
Meryl Streep in a comedic role is one of the few good things in RICKI AND THE FLASH, and the N.W.A. biopic STRAIGHT OUTTA COMPTON sands down many of the rough corners of the ground-breaking rap group's controversial history. Alan Scherstuhl and
Alan Scherstuhl and Stephanie Zacharek of the Village Voice, along with Amy Nicholson of the LA Weekly, discuss the Marlon Brando documentary Listen to Me Marlon, before moving on to The End of the Tour, the film adaption of an interview with D
On this week's Voice Film Club podcast: The Vacation reboot disappoints, as does Adam Sandler's Pixels (but it can't be near as bad as critics are describing, says the Village Voice's Alan Scherstuhl). Meanwhile, the '40s noir melodrama Phoenix
We run down the ten best movies of 2015 (so far) on this week's episode of the Voice Film Club. Alan Scherstuhl and Stephanie Zacharek of the Village Voice, joined by Amy Nicholson at LA Weekly, each share a few of their favorites on this mid-y
While Judd Apatow and Amy Schumer's new movie TRAINWRECK is "occasionally very funny, it also feels carefully constructed to make its points, chief among them that men can get away with all kinds of bad or crazy behavior that women can't," writ
The upcoming Amy Winehouse documentary AMY is one of the best music docs Village Voice film critic Stephanie Zacharek has ever seen, and she explains why to Voice film editor Alan Scherstuhl and LA Weekly film critic Amy Nicholson on this editi
The LA Weekly's Amy Nicholson and the Village Voice's Alan Scherstuhl in New York disagree on just about everything in Ted 2 -- except that it has a few very funny moments -- but only after revisiting the impressive Inside Out, which is nearly
Part of what makes writer-director Rick Famuyiwa's DOPE so fresh and joyous is that in many key ways it's not new at all. Like Dazed & Confused or The Breakfast Club, this is a film about just how weird the extraordinarily normal kids are — ki
In this episode: Jurassic World capably stomps, roars, and awes, and the Brian Wilson biopic Love & Mercy reveals much about the tortured Beach Boy with two talented actors: Paul Dano as young Wilson and John Cusack as an older version of the m
On this week's Voice Film Club podcast, the Village Voice's Alan Scherstuhl and Stephanie Zacharek, along with Amy Nicholson of the LA Weekly, praise the latest Melissa McCarthy comedy SPY: "She plays a real woman who reacts like a real woman w
LA Weekly's Amy Nicholson shares her story of Judd Apatow hate-following her on Twitter for a single day, but only after she and the Village Voice's Alan Scherstuhl discuss Tomorrowland, which is often surprising and beautiful. Remember to foll
The final episode of 'Mad Men' was upbeat -- if you enjoy the death of the counter-culture. On this special episode of the Voice Film Club podcast, Village Voice film editor Alan Scherstuhl and editorial fellow Lara Zarum, along with the Voice'
Pitch Perfect 2 hit a few wrong notes for the Village Voice's Alan Scherstuhl and special guest Monica Castillo, but LA Weekly film critic Amy Nicholson interpreted the film's humor a little differently. We circle back to Sofia Vergara's perfor
"I'm over people who think they're funnier than the movie," says LA Weekly film critic Amy Nicholson, in the wake of her recent piece, "Stop Laughing At Old Movies, You $@%&ing Hipsters." Joining her -- *in the same room, for the first time eve
Avengers: Age of Ultron' director and screenwriter Joss Whedon wants to give us everything in his movie, and that he fits it all in is its own kind of feat, writes LA Weekly film critic Amy Nicholson in her review of the film, which opens May 1
On this week's episode: We marvel at Unfriended, a rare horror movie about the internet that is also good. But before that we call up our own Stephanie Zacharek to ask about her Pulitzer Prize finalist recognition. Then we examine a new faith m
In this special TV edition of the Voice Film Club podcast, Alan Scherstuhl and Lara Zarum of the Village Voice are joined by Inkoo Kang of the TheWrap to discuss the season 5 premiere of Game of Thrones. Also on the pod, the trio discuss The Am
Reviews and discussion of Ex Machina, Dior and I, Clouds of Sils Maria, The Longest Ride, and About Elly are all on this week's Voice Film Club podcast, which includes Alan Scherstuhl and Stephanie Zacharek of the Village Voice, and Amy Nichols
Furious 7 and While We're Young are two very different movies but both receive generally positive reviews from Alan Scherstuhl and Stephanie Zacharek of the Village Voice, and Amy Nicholson of LA Weekly, who again get together via the magic of
The Gunman, Run All Night, and Cinderella are discussed by Village Voice film critic Stephanie Zacharek and LA Weekly film critic Amy Nicholson on this week's episode of the Voice Film Club podcast. Email us at [email protected] and foll
There are five reasons why Fox's Empire has become a breakout hit, and on this week's Voice Film Club podcast, we run down why the show, introduced as a mid-season replacement, has surged to nearly 14 million viewers an episode by its eighth we
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