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We Have a TechnicalEpisodes
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We Have a Technical
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A 2001 record which was rather out of step with industrial club styles of the time, Stromkern's Armageddon proved to cast a long thematic shadow as well as stand the test of time musically. We're discussing Ned Kirby's electro-acoustic arrangem
It's a Pick Five formatted episode this week, and we're each trying to find tunes which summarize or represent the larger catalogs and aesthetics of the artists involved; a surprisingly difficult task as we found it.
At long last, we're proud to present the 500th episode of We Have A Technical. We're joined by Joakim Montelius and Eskil Simonsson of the legendary Covenant to discuss the entire history and discography of the innovative electronic project. Fr
As we often like to do when a new album by a landmark legacy band is released, we're setting this week's podcast aside for the discussion of Rampen - APM: Alien Pop Music, the brand new LP by industrial royalty Einstürzende Neubauten. We're mak
The thorny issues of social media and general online presentation and how they shape our understanding of artists is the subject of this week's podcasts. From gaining additional context about a record to seeing other sides of artists to the per
Some numeric jiggery-pokery? From us? To do with the chronology of We Have A Technical? Never. On this episode we're looking at records from Black Tape For A Blue Girl and Black Strobe, plus running down news related to Nitzer Ebb, and the Cold
We have a special two-part version of We Have A Commentary for you this week, as we're tackling both discs of the Mick Mercer-curated Gothic Rock compilation, a companion record to Mercer's book of the same name. In the first instalment, we're
We ain’t getting any younger, and neither are the formative records which turned us into the sort of sick bastards who’d end up running a website for a dozen years and a podcast for nearly 500 episodes dealing with industrial music. To wit, on
What on earth might records by Hocico and Gloria Mundi have in common with one another? In and of themselves, perhaps not much, but given that Hocico’s debut demonstrates how early the band’s decidedly harsher take on European dark electro was
It's a Pick Five episode this week, as a slightly irreverent one, as we're talking about stupid songs we actually quite like. From brodustrial to novelty tracks to questionable lyrical choices, this one was a lot of fun to record. We're also ta
It's a Pick Five episode this week, as a slightly irreverent one, as we're talking about stupid songs we actually quite like. From brodustrial to novelty tracks to questionable lyrical choices, this one was a lot of fun to record. We're also ta
Teased off and on for several years, it's our commentary podcast on a singular record in both of the Senior Staff's understandings of electronics, hip-hop, and industrial: Pop Will Eat Itself's 1989 sophomore LP, This Is the Day...This Is the H
Hot on the heels of their new album Pendulum and some touring for it, Twin Tribes join us on this week's episode. Luis and Joel offer their thoughts on the band's cross-generational appeal, getting the balance of synths right, and Latino repres
On this week’s podcast we’re using the occasion of Meat Beat Manifesto and Merzbow’s new collaborative record as an opportunity to talk about each project as well as that new record. Both Jack Dangers and Masami Akita’s respective paths and dis
This week's two albums-formatted episode of the podcast takes up Psyche's 2001 return to dark dancefloors with the futurepop-flavoured The Hiding Place and Skeletal Family's stone classic 1985 statement of how tightly dialed in but also express
Cosmic, stygian, abyssal, impassive, call dark ambient what you will, just don’t call it late for dinner. On this week’s episode we’re discussing how this unique and often deliberately occluded genre emerged out of industrial and has taken on a
Coming hot on the heels of the dissolution of Throbbing Gristle, Chris & Cosey's debut LP Heartbeat doesn't just function as a bridge between their work as experimental enfants terrible and the dreamier, trance-like synthesis their work as a du
We're looking back at specific live performances which left an impression on us in this episode of the podcast. Whether it's the humanization of icons, extremities of sound or circumstance, or performances which changed the way we think about a
One goth rock record and one EBM record: not sure there's a more down the pipe format for an episode of We Have A Technical than that! Sunshine Blind's debut and Spark!'s most recent LP prompt discussion of production, vocal range, and all of t
An oft-overlooked record by a crucial artist about to make their big move, and a reunion record which is surprisingly of a piece with the artists' earliest work, despite everything they did in the interim. This is a needlessly wordy way of sayi
We're casting an eye not to the year ahead, but to the year that was a full decade ago here at I Die: You Die. We're talking about the records which earned top marks from us in 2014, festivals, larger musical trends, and our approaches to our c
For the second time, we're using our December We Have A Commentary as the opportunity to talk about a record we love but which has nothing to do with the genres we normally discuss. Our Patreon backers voted to have us discuss a Wu-Tang Clan re
Our coverage of the year that was is officially completed (though that doesn't quite mean the end of Year End fun) with a Pick Five episode designed to touch upon individual tracks which caught our fancy this year outside of the specific record
ith our final five top records of the year coming out yesterday, we've effectively discharged our Year End duties...save for recapping that list, looking back at a few trends in the year that was, and tossing another dozen honorable mentions yo
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