Episode Transcript
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0:00
What's happening on NPR Podcast? More neighborhoods?
0:02
More
0:02
identities and more perspectives. The more
0:04
the world that you hear. The
0:06
more you hear the world as it really is.
0:09
NPR podcasts, more voices,
0:12
all ears, sign NPR wherever you get
0:14
your podcasts.
0:18
Not many people talk about
0:21
this town. there's
0:23
nobody here and nothing to do,
0:25
which is of course why nobody
0:27
mentions Adelaide, but it's
0:29
precisely why I loved it
0:31
here.
0:59
The cobblers flu hit South Australia
1:01
incredibly hard. And to this day, no
1:03
one really knows why. The flu
1:06
spreads in crowded populations, it thrives
1:08
in cold weather, and yet somehow in this
1:10
spacious warm city, it ran rampant
1:12
for months. Hundreds
1:14
of thousands of people died, and hundreds
1:17
of thousands more fled until the city
1:19
was all but abandoned.
1:21
The strange thing is it was
1:24
just this one state that was
1:26
so dramatically impacted. Even
1:28
as people fled to neighboring New South
1:30
Wales and Queensland, they
1:32
didn't seem to bring the flu with them
1:35
or at least not in the numbers you would
1:37
expect. There
1:39
have been theories over the years, of course, an
1:41
inept local government failing to respond
1:44
properly the spread of false information
1:46
about the disease, but there were
1:48
other places that didn't respond. Other cities
1:51
flooded with lies yet the numbers from
1:53
Adelaide eclipsed them all.
1:56
There
1:56
may be a completely straightforward explanation,
1:59
of course.
1:59
but record keeping was never
2:02
reliable
2:02
during the reckoning, so we'll never
2:04
know what it was. The
2:07
Ghana people began moving back into the
2:09
area in the sixties, reclaiming the
2:11
land that had been taken from them by the British
2:13
empire. they started to
2:15
rebuild and others soon joined them,
2:18
but the population is still a fraction
2:20
of what it was. I mean, it's
2:22
not unique in that way. Even
2:25
today, most of the city center is still
2:27
in ruins, but the way the wildflowers
2:30
have overgrown old
2:31
pavement and broken streets I
2:34
found quite beautiful, haunting,
2:36
really, but I've
2:38
always liked feeling haunted. a
2:41
little bit haunted, not
2:44
haunted like, scary shadows
2:46
in the night or unsettling whispers when
2:48
you think you're alone. I
2:51
I like the kind of haunting that feels like
2:53
a like a footprint of a
2:55
bygone era. There
2:57
aren't ghosts per se, not
2:59
no white sheets with i whole sort of way,
3:02
more like more
3:05
like faint impressions of humanity.
3:08
It's
3:08
in the crumbling walls and
3:09
the shards of artifacts.
3:12
You feel and even see their presence,
3:14
but not in a way that threatens
3:16
just just in a way
3:19
that haunts.
3:22
We tend to rebuild
3:23
what was destroyed or we bury it
3:26
or we burn it.
3:28
We respect what we have lost, but
3:30
we don't want it hanging around. And
3:32
yet, Adelaide,
3:35
until about ten years ago, remained
3:37
mostly empty. And even
3:39
today, there's no real center just
3:41
a series of beach huts and suburban
3:43
lean twos. There
3:46
are a few stretches of track homes too.
3:48
They're much nicer, seeming, but
3:51
they've remained mostly uninhabited, say
3:54
for a few squatters. The
3:57
neighborhood's always made me feel unsafe because
3:59
you didn't know who
3:59
was in those homes. But
4:02
the weather here is gorgeous
4:05
most of the time and the water The
4:07
water is warm enough. Oh.
4:09
Have you ever seen a pelican? I'm
4:11
close. They're
4:13
incredible. You
4:14
might see one here. I certainly
4:17
did.
4:17
It scared the shit out
4:19
of me.
4:22
This was one of the rare places
4:25
Rose didn't come to write about.
4:27
It was a vacation, a
4:29
really long vacation. After
4:32
you were born, she had a couple of months in
4:34
the recovery protocols. After
4:37
passing those, she was itching to get
4:39
back to work. to get back to traveling and
4:41
writing.
4:42
Sahara, Anna and I were doing some renovations on
4:45
our shop, so I stayed home for the next
4:47
year or so. as your
4:48
mother went to Liverpool and Busan
4:50
and Jerusalem, I can't remember
4:52
where all she was off to. She was
4:54
working nonstop. we
4:57
would talk on the phone occasionally, and she'd
4:59
send adorable postcards, sometimes
5:01
just short little wish you were here, sentiments,
5:03
sometimes a little more racy stuff.
5:06
It
5:06
was fine. We
5:08
were both so comfortable with each other
5:10
and presence and absence alike.
5:14
I didn't realize it at the time though,
5:17
but
5:17
about
5:18
eleven months into that flurry of
5:20
travel for work,
5:22
Rose was having panic attacks alone
5:25
in her hotels. She
5:27
wasn't sleeping well. She was missing
5:29
deadlines. and I didn't
5:31
know until she got back home.
5:34
She was a wreck. I was
5:37
worried sick
5:37
about her health, and she agreed to
5:39
take a break from work for a few
5:41
months. I
5:43
went to the shop every day and came
5:45
home to a dinner she'd cooked for me.
5:47
She started
5:48
experimenting using ingredients
5:50
I never heard of, looking for
5:52
new and weird dishes she could try.
5:55
She always did get bored easily. And
5:58
then after only a month,
5:59
Rose sprung a new idea on me.
6:03
What if we went to Adelaide for
6:05
a long break? Just the
6:07
two of us. So Hara
6:09
and Anna could run the shop, We'd
6:11
finished our renovations and built out the
6:13
little gardens, so why not take this
6:15
time to boat just vacation
6:17
together?
6:20
And by vacation, she meant
6:22
three months. So
6:25
before we met, Rose had once
6:27
written about Cartagena for
6:29
some magazine and in the process
6:31
got to visit Adelaide on the Australian
6:33
continent. She'd taken a
6:35
ton of pictures and showed them to me.
6:39
While you're all the way down here Anita, you
6:41
should get a boat by the way to
6:43
Carta Pintinga. There's
6:45
incredible wildlife out
6:47
there. I don't know if you like animals.
6:49
I hope you do. I mean, you
6:51
should.
6:54
Rose worked up this whole
6:56
big speech to try to sell me on Adelaide.
6:58
She knew that I knew there wasn't
7:00
anything to do there, like there was in Jakarta.
7:04
And the natural beauty of Adelaide wouldn't
7:06
match that of Tekopoe. Not
7:08
because the beaches aren't pretty, but
7:10
because of the ruins. I
7:13
sat and listened patiently to
7:15
Rose's determined pitch She
7:17
was desperate to win me over.
7:21
And
7:21
I know it doesn't have any nightlife. She
7:23
said there aren't any theaters or
7:25
dance clubs or fancy restaurants,
7:28
there's hardly even any electricity.
7:30
She said. She
7:31
knew she might lose me on
7:34
this point. so she doubled down on the
7:36
quaintness of it all. These little
7:38
villages of Shacks are full of artists,
7:40
full of people who perform traveling
7:43
shows and cook food for each other.
7:45
It's like a block party every single
7:47
weekend.
7:50
I stayed quiet, letting her talk
7:52
about the peaceful nights, the lack of
7:54
street noise, the absence of
7:56
cops, the art and nature, the
7:58
community, And
8:00
finally, she said, Elena,
8:02
please don't tell me you hate it.
8:06
I
8:06
stretched it out
8:07
as much as I could. Really
8:09
made her uncomfortable with my long
8:11
pause. I rubbed my
8:13
chin side all
8:15
the little gestures of indecision until
8:18
I finally laughed and said, are
8:20
you
8:20
kidding, Rose? Of course,
8:22
I love it. When can we go?
8:26
Two weeks later, we were staying in a
8:28
makeshift house built of repurposed wood
8:30
and and corrugated tin
8:32
It was painted orange, but a
8:35
vibrant orange, like more
8:37
like tangerine. with
8:40
a purple door?
8:41
No, not purple, lilac.
8:44
The whole thing couldn't
8:46
have been bigger than your
8:47
dormitory room
8:48
at the development center, but our
8:51
entire front yard was
8:53
a beach. This beach,
8:57
Grange beach. where you
8:59
found the bean bar and Patricia.
9:01
It's a lot different now
9:03
than it was twenty years ago, so
9:05
many homes and shops,
9:06
The
9:07
city is mostly rebuilt. When
9:10
Rose
9:10
and I stayed here, the downtown area was
9:12
piles of rubble. We sometimes
9:14
walk to the city to scavenge,
9:17
You can't do it anymore. But back in the eighties,
9:19
there was still a lot left to find
9:22
remnants of life before.
9:25
Sometimes you'd find useful things like
9:27
unbroken mirrors or unrusted
9:29
scissors. Sometimes
9:31
you'd find something beautiful like
9:33
swatches of embroidery. or
9:35
books. If you were lucky,
9:38
you'd find a handwritten journal.
9:41
Rose always wanted
9:44
the novels but I never found them that
9:46
interesting.
9:47
There's a predictability to literature,
9:50
you know, a sense that things
9:52
will get worse and then they'll get better
9:54
or at least dramatize the hope that
9:56
they will. And at the end, it'll
9:58
all be wrecking up happier sad
9:59
with a tiny little ribbon. But
10:02
diaries, diaries are
10:04
different, unpredictable even
10:06
in their modernity. I
10:10
loved finding journals that were kept even as
10:12
the reckoning raged. There's
10:14
this huge global upheaval and
10:16
yet people still felt the need to record
10:18
the minutia of their lives. A
10:21
girl writing it about an
10:23
argument with her mother. A wife writing
10:25
about her fears for her husband.
10:27
A boy resenting how much better
10:29
his brother is traded It's
10:32
always interesting in a voyeur sort
10:34
of way to read about how
10:36
families used to operate. so
10:39
much rage, bitterness, and
10:41
betrayal. I love
10:43
it. I love the the
10:45
sudden changes. One day,
10:47
someone will be obsessing about a fight with a
10:49
sibling, and then the next will be a long
10:51
story about a nice meal or
10:53
finishing knitting a scar for a new
10:55
neighbor or a garden or a pretty
10:57
sunset.
10:58
They never
11:00
resolve anything. There's no
11:02
climax, no narrative, just
11:04
a glimpse into life. Stimulation
11:07
without achievement. I
11:08
love it
11:09
because the possibilities are endless.
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Anyway, Rose and I went to the
14:11
city ruins looking for
14:13
objects, books, croquarie,
14:16
clothes, and along a little
14:18
creek coming off the bay in the tall
14:20
grass, I saw what I
14:22
thought was a
14:23
statue.
14:24
about four feet tall, thin,
14:26
dark brown. I
14:27
don't know why I thought there would be a
14:30
bronze sculpture here in this ghost
14:32
town. Not that it couldn't have survived
14:34
decades of neglect, but it was
14:36
positioned along a swampy
14:38
slope into this dirty little creek.
14:41
dill,
14:41
I
14:41
approached it. As I
14:43
neared, I tried to understand what
14:46
exactly it was, It
14:48
seemed
14:48
human shaped from a distance, but
14:51
from
14:51
about twenty five feet, it seemed like
14:53
something more abstract.
14:56
A
14:56
bulbous obelisk, I couldn't
14:59
tell.
15:00
Closer still, I could see vertical
15:03
lines along the side where the
15:05
shape bulged And when
15:07
I was only two long steps
15:09
away, I saw a
15:11
single large eye
15:14
open on the statue. It
15:17
wasn't a statue at all.
15:19
It was alive and
15:21
it was looking right at
15:23
me. I
15:25
didn't move. I couldn't move.
15:28
I
15:28
was silent and petrified.
15:32
then the entire form
15:34
before me peeled itself
15:36
open. Its face
15:38
was long and orange, not bright like
15:40
a tangerine, but gold like
15:42
a spoiled persimmon. And
15:45
two great wings extended
15:48
from either side and its
15:50
tremendous beak turned
15:52
up to the sky. It it looked
15:54
like a dinosaur. It
15:56
probably is a kind of dinosaur, and
15:58
my brain whispered
15:59
Pelican to itself as
16:02
great throbs of its wings, pulls
16:04
through my body, like standing next
16:06
to a subwoofer in a nightclub.
16:09
Rose ran to me and said, you could have been heard
16:11
and lay up. Pelicans are dangerous,
16:13
but I just
16:14
waved at the bird. Like,
16:16
buy bird. Nice to meet
16:18
you. I
16:21
didn't know why I did that.
16:23
I still don't.
16:24
Trauma response, I don't know.
16:26
It was that moment that I knew
16:29
Adelaide was going to be a place of
16:31
change. Change of
16:33
what? I didn't know. but a
16:35
great change was on the
16:37
horizon. And it
16:39
was or it felt like it was.
16:41
It felt like a place of epiphany.
16:45
It wasn't
16:45
really. I didn't actually figure anything
16:47
out. I didn't have some grand revelation.
16:50
Maybe I just went in
16:52
search of epiphany. I
16:54
don't
16:54
know that I ever actually
16:55
found it, but honestly, I think
16:58
that's kind of the point.
17:01
If you find the grand meaning of
17:03
life, you're probably
17:04
doing it wrong.
17:06
In the moment of confusion
17:08
between understanding that the pelican was
17:10
just a pelican and thinking it was something else
17:13
entirely, I had
17:15
a
17:15
flash of clarity. felt
17:18
that everything was connected,
17:20
that there was
17:21
some greater thing,
17:23
power, force, whatever, holding
17:25
it all together, that
17:27
if I could find whatever that was, a
17:30
god, gods, a
17:32
collective unconscious, that
17:34
I could better understand why I was given life,
17:37
given sentence, why
17:39
pain,
17:39
why pleasure, why is
17:41
it also short? and so
17:43
long too. I thought
17:45
about this constantly in
17:46
Adelaide. We had a lot of
17:49
downtime. We didn't need money.
17:51
We didn't need jobs. We
17:53
had our little beach hut community,
17:55
and we had
17:55
a life together. We had
17:57
a family of sorts on that beach.
18:00
There was
18:00
Tim who regularly cooked stew for
18:02
everyone and Marina who who
18:04
helped Rose and I build our tent.
18:08
Everyone in that beach community was there to
18:10
support each other. Even
18:12
though
18:12
Rose and I were temporary, they
18:15
didn't care. We
18:16
were there, weren't we?
18:18
Marina once said to me,
18:20
Elena, we are all temporary.
18:23
And I
18:24
guess
18:25
she was
18:27
right. But all that extra
18:30
time, all that space to
18:32
contemplate existence, sent
18:34
me reeling for reason. Were the
18:37
stars to blame? Was there a
18:39
god? Lots of gods? What could
18:41
I divine from what I
18:43
saw? Everything was a taro
18:45
card, the rotten tree, the
18:47
noisy bird, the eight of sea
18:50
shells. It's a sort of thing
18:52
that leaves you and comes back.
18:55
Have you found this? Sometimes
18:57
life is practical and simple and everything
19:00
makes sense. And then sometimes it feels
19:02
messy and nonsensical and you look for
19:04
anything that will help you organize the
19:06
nonsense into some kind of
19:08
pattern. Sometimes
19:09
it feels like
19:10
there's reason in our lives,
19:13
and sometimes it feels like everything is
19:15
just chaos we're trying to survive.
19:19
and I don't
19:21
know which is true. Fifty
19:25
years later, Rose would leave her career
19:27
as a writer because she was
19:29
tired. Or as she would tell
19:31
me a few years after that, she
19:33
was sick. I
19:36
don't think she knew when it all started,
19:38
but
19:38
maybe she did. We
19:40
didn't keep secrets, not on
19:43
purpose anyway. Not everything is important
19:45
enough to share, and sometimes the
19:47
importance of something sneaks up on
19:49
you. A headache
19:51
isn't A painful bowel
19:53
movement isn't either. If they
19:55
only happen every so often,
19:56
also possibly not important.
20:00
You don't
20:00
notice that there's an increasing pattern
20:02
until well, until they're
20:04
happening every day. but to
20:06
swat away the thoughts like there are so many bottle
20:09
flies, it's nothing.
20:10
I'm fine. And years and years
20:13
go by, And
20:14
you are fine. And then one
20:17
day, you're not. And you
20:19
realize, oh, this
20:21
was all so
20:22
important. How
20:24
did I not realize it was so important?
20:26
I should have
20:28
said something.
20:31
Maybe
20:31
that's how it was for rose.
20:36
Anyway, before all of that,
20:39
When we were in Adelaide,
20:42
I
20:42
was getting a little
20:44
into astrology and taro
20:46
and thinking about my connection to
20:49
the land and to the universe.
20:50
And it was
20:51
fine. Rose didn't take an
20:54
interest in any of it. She didn't take
20:56
offense to it either. but
20:58
it was something we couldn't share.
21:00
It didn't drive a wedge between us.
21:02
It was simply part of my
21:04
life that didn't enter hers.
21:07
Looking for
21:09
the supernatural never interested
21:10
rose, she didn't need a reason
21:13
for existence. She existed.
21:15
So what? We opened
21:17
a little pop
21:17
up coffee shop along the beach. Nothing
21:20
as nice as the bean bar. It was a
21:22
table and some old mugs
21:24
we found. It was surprisingly
21:26
popular, though there was no money
21:28
there. We did it because it was something to
21:30
do, and it was fun
21:32
because we were contributing. Rose
21:35
found meaning in making things.
21:37
She found meaning in sharing things.
21:40
She found meaning in waking up,
21:42
living, and going to sleep.
21:44
She found meaning and being around
21:46
other people. It wasn't enough
21:48
for me though. Why?
21:51
Nagged me. It
21:53
kept me up at night. Why clouds?
21:55
Why tents? Why coffee? Why
21:58
love? Why? And
22:01
this was a topic we had no common
22:03
ground in. In my search
22:05
for
22:05
meaning, I had to leave
22:07
rows behind. in
22:10
spirit anyway.
22:12
We found our
22:14
way back or
22:16
I found my way back.
22:18
It was just a spiritual phase at that
22:20
time for me.
22:23
Why still nags
22:25
me. But I'm
22:27
at peace with never knowing.
22:29
I searched for the name of god
22:31
in the ruins of Adelaide,
22:34
Sometimes I found an unbroken mirror. Sometimes I
22:36
found a book with all the pages intact.
22:39
Sometimes I found a pelican
22:41
disguised as a statue. None
22:43
of it answered the question why, but
22:46
it all made me feel like I
22:48
was a step closer.
22:49
the search Truth
22:52
be known though? It's all just
22:54
shouting at clouds, sometimes
22:57
literally.
22:59
You're going west
23:02
now
23:02
Anita to East Africa. Can
23:05
you hike? You look
23:06
like you're in decent shape, You
23:09
don't need to climb
23:10
Kilimanjaro, but I think
23:12
you should. I
23:15
left
23:15
a package for you at the Uzonguni
23:18
Inn in Arusha. It's
23:20
a really cute resort town in the
23:22
Savannah. You
23:23
think telecons are scary? Wait
23:26
till you see a hippo.
23:28
You won't see a hippo, hopefully
23:31
not anyway.
23:32
Within the wires is
23:34
written by Genina Mathiesen and me,
23:36
Jeffrey Kramer, with original music by
23:38
Mary Eppworth, find more of
23:40
Mary's music at mary eppworth dot com. This show
23:42
was produced by me and directed this
23:45
season by Janina. The voice
23:47
of Elena Jimenez is
23:49
April Ortiz. Support
23:51
our Patreon and get exclusive episodes and
23:53
video chats with me and Janina at
23:55
patreon dot com slash within the wires.
23:58
Also, read our novels set in the within the
24:00
wire's universe. It's called you
24:02
feel it just below the ribs.
24:04
It is available wherever you get your
24:06
books within the wires as part of
24:08
Night Vale presents. Listen to other
24:10
amazing shows at night Vale
24:12
presents dot com. Okay. Our
24:14
time is done. It's
24:16
you time now. Time to
24:18
take a trip. Hit your ride
24:21
on a route to the
24:23
city of Athens commonly
24:25
referred to by locals as Land
24:28
of enchantment. and
24:30
go see their famous landmark,
24:32
the ice cube factory.
24:35
One
24:38
of the most common questions my writing partner Joseph and I
24:40
get asked is, how do you write
24:43
together? My response is usually, you know, that
24:45
scene in ghost where Demi Moore is
24:47
spinning pottery, and then ghost, Patrick
24:49
Swazzy, comes up behind her and guides her
24:51
hands as she closes her eyes and rolls her head
24:53
back onto his shoulder. It's like that
24:55
book the MacBook. That was
24:57
me. Jeffrey Kramer talking about collaboration
24:59
with Joseph Fink on our new podcast to start
25:01
with this. Give it a listen to hear our thoughts
25:03
on the creative process and then we'll help
25:05
you do some creating of your own.
25:07
Fine start with this wherever you
25:09
get your podcast.
25:19
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