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- James’s father’s dying wish was for his ashes to be disposed of on the 18th hole of a fancy private golf course. That was 16 years ago. In this episode, James, Jonathan, and their friend Howard attempt a golf heist to get into the club and set things right.CreditsHeavyweight is hosted and produced by Jonathan Goldstein.This episode was also produced by Chris Neary and Kalila Holt. The senior producer is Wendy Dorr.Editing by Alex Blumberg and Jorge Just.Special thanks to Emily Condon, Stevie Lane, Derek Hurst, Stephen Hughes, and Jackie Cohen.The show was mixed by Haley Shaw. Music for this episode by Christine Fellows, with additional music by Paul De Jong, Blue Dot Sessions, Benny Reid, Caspar Babypants, and Hew Time. Our theme song is by The Weakerthans courtesy of Epitaph Records, and our ad music is by Haley Shaw.
- Black music, forged in captivity, became the sound of complete artistic freedom. It also became the sound of America. On today’s episode: Wesley Morris, a critic-at-large for The New York Times.“1619” is a New York Times audio series hosted by Nikole Hannah-Jones. You can find more information about it at nytimes.com/1619podcast.This episode contains explicit language.
- After three friends make a mysterious yet simple choice, they must make sense of the inconceivable results. Written by Davy Gardner Performed by Erin Harland, Dennis Pacheco, Chris Cafero, Louis Kornfeld, and Nikki Thomas. CONTENT WARNING: This episode includes strong language. The Truth Instagram Twitter
- A man in California is haunted by the memory of a pop song from his youth. He can remember the lyrics and the melody. But the song itself has vanished, completely scrubbed from the internet. PJ takes on the Super Tech Support case.Further Listening:Christian Lee Hutson’s music : https://open.spotify.com/track/3g8nKpXsQtXv0lcN4UGVGs
