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Behind the ScreensEpisodes
Vista Group
Behind the Screens
A weekly Technology podcast
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Episodes of Behind the Screens
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As Fall Guy debuted below expectations domestically, China saw 3 of the top 4 titles globally over their Labor Day weekend. And as May the 4th marked its 25th anniversary, Star Wars: The Phantom Menace made a surprisingly sizeable splash with i
Zendaya’s star power is drawing in crowds for Challengers — so who made up the audience? We dive into all the details of the box office and audience analysis for Challengers, Unsung Heroes, and the international release of Fall Guy ahead of its
It’s a triple-feature this week with three new debuts in the market. How did Abigail compare to recent Horror titles? Is Guy Richie’s The Ministry of Ungentlemanly Warfare finding its audience? Do you say the ‘x’ in Spy x Family Code: White? Jo
Fresh from CinemaCon, Matthew, Simon, and Ryan give us all the highlights and talk movie previews. With Civil War making A24’s highest-grossing opening this weekend, we tackle the box office and audience analysis with some surprising comparison
Godzilla x Kong: The New Empire debuted this Easter weekend, making for the second-biggest opening weekend for a title in 2024 after Dune: Part Two. We delve into all the Behind the Screens details of the audience, and how this latest instalmen
As Kung Fu Panda 4 debuts in China and the Ghostbusters hit the big screen domestically, it’s an exciting week for box office. We delve into the audience of Ghostbusters: Frozen Empire to explore how the audiences for the franchise has evolved
Dune: Part Two continues to make a splash as it surpasses its predecessor and approaches $500M worldwide. As Arthur the King debuts, we examine the audience, and take a look at pre-sales for Ghostbusters: Frozen Empire on this week’s instalment
Kung Fu Panda returns to the big screen at the head of the box office as Dune: Part Two comes close to the original’s lifetime gross already. Following the Academy Awards, we’re examining the audiences for Kung Fu Panda 4, Imaginary, and Cabrin
All eyes are on Dune: Part Two as the big screen lights up again, and we’re bringing you all the numbers across the booming box office, as well as breaking down the audience for Denis Villenueve’s blockbuster sequel. How does Dune: Part Two com
All eyes are on Dune: Part Two as the big screen lights up again, and we’re bringing you all the numbers across the booming box office, as well as breaking down the audience for Denis Villenueve’s blockbuster sequel. How does Dune: Part Two com
With the next big blockbuster on the horizon, we have a Behind the Screens look at how the pre-sales box office and audience are shaping up for Dune: Part Two. Between Demon Slayer and Ordinary Angels landing on the big screen this past weekend
From Valentine’s Day to Presidents’ Day, there’s a long holiday period to delve into with this week’s box office. With Bob Marley: One Love achieving the 2nd-highest opening for a musical biopic, can it make up for the unfortunately lackluster
With Matthew and Simon absorbed in the Vista Group Conference, Ryan and Janelle take the reigns this week. Looking back over the exciting Superbowl weekend, we dive into the audience for new release Lisa Frankenstein, as well as the explosive b
Argylle debuted across the world this past weekend alongside a box office oddity, as a faith-based TV series, The Chosen, screened the first three episodes of its 4th season in cinemas. We bring you all the details from the box office and audie
Mean Girls and The Beekeeper battle for the top position in a week of holdovers as we wait for the debut of Argylle. While it’s the quietest week in a long time, it’s not silent, with Fighter making a sizable splash in the international market,
Mean Girls and The Beekeeper maintain the top spots domestically and internationally, while I.S.S. launched this past weekend. We take a close look at the audience for I.S.S. and ask how movie marketers can make the most of holdovers during a t
The musical Mean Girls debuted at the top of the US box office this past long weekend, while Jason Statham’s The Beekeeper followed close behind. Join us as we dive into the audiences and box office results for each on this week’s episode of Be
We’re back! In this episode we discuss the impact of the industry strikes on 2023’s total box office cume. With several new title releases over the holiday period, we look into the audiences for Night Swim, Anyone But You, The Boys in the Boat,
The long-awaited Wonka debuted in the US and opened to a wider international audience this weekend, so we dive into the box office and audience for Timothée Chalamet’s latest movie. As the year comes to a close, we look back in our year in revi
With The Boy and the Heron taking the top spot in the domestic box office, we take a deeper look at its rather unique audience mixture, as well as discussing the Golden Globes, CineAsia, and Wonka’s international debut on the big screen, so joi
Another concert film has saved what is usually a difficult week of the year at the box office. Renaissance: a film by Beyoncé achieved the best opening December weekend domestic box office since 2003’s The Last Samurai. With another surprise of
Two titles debuted this past weekend to vastly different audiences; we examine who turned out for Napoleon and Wish, and what titles found the strongest holdovers as The Hunger Games: The Ballad of Songbirds and Snakes managed to retain the #1
This weekend saw The Hunger Games: The Ballad of Songbirds and Snakes, Trolls Band Together, Thanksgiving, and Next Goal Wins all debuting for a bold box office, with something for everyone from adventure to animation to horror. So we have plen
The Marvels unfortunately saw the MCU’s lowest opening weekend box office results, so we take a look at what may be forming challenges for the MCU in audiences’ eyes. We break down who made it out for the film, the reporting cost-per-minute of
With a return from the Australian International Movie Convention, Matthew, Ryan, and Simon are back together bringing us breakdowns from the domestic and international box office titles, examining the audience of Priscilla, and taking a deeper
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