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Roddy Schrock
InformerEpisodes
Roddy Schrock
Informer
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Today's conversation is with Zachary Small, staff reporter for the NY Times. I have been following their arts journalism since they wrote for Hyperallergic years ago. They're often the first to identify new, consequential developments in a fiel
Today's conversation is with Prem Krishnamurthy, designer, author, and educator. His multifaceted work explores the role of art as an agent of transformation at an individual, collective, and structural level. This manifests itself in books, ex
If you are an artist, or someone who cares about the health and wellbeing of the arts in the United States, I think you will find this conversation to be both insightful and inspirational. There's only one Ruby and I am honored to be able to wo
What does it mean to have a body that moves in three dimensional space in our current time? How do cultural institutions better relate to the public in a way that takes into consideration the massage changes in technology over the last three ye
My friend, the designer and artist, Mushon Zer-Aviv was in town a few months ago so we sat down to catch up. Having worked in open, values-driven design in tech for the last two decades, Mushon goes deep into what he sees as being the mistakes
Deborah has a reputation as an innovative arts leader here in New York. Over the past couple of years, she has fully transformed into a sharp-eyed astrologer building from decades of experience in the arts as well as a lifelong spiritual pract
There are a handful of contemporary net artists for whom I have particular affection. Constant Dullaart is one of them. Since I first learned of his work in the early aughts, I've found an extraordinary depth to every move he makes. As our unde
As we enter these long, hot days of this unusual year, I'll be releasing three special episodes that aim to provide some dreamy inspiration for late summer. Between now and labor day, I'll be speaking with three dynamic artists over three episo
B Covington, a multi-modal sound artist whose work is as formally challenging as it is joyfully satisfying, was in New York last month and sat down for a conversation with me at my office in Brooklyn. I enjoyed our time so much an it is the fir
James Bridle imagines new modes of invention and engagement inspired from relationships with non-human beings. He's a fascinating thinker and this is one of my favorite conversations.His relentless inquiry into how we can co-create technologies
I first heard about K when they were active in the electronic music scene of the bay area in the early 2000's. I've enjoyed following their work from that time into becoming a force for thoughtful engagement with AI, thinking about it in very e
I really enjoyed this chance to catch up with her and hear what she's seeing as being exciting developments in the fields of art, technology, and science. And we had a great time discussing what an intra-institutional approach to building a new
"As an artist I am trying to see the hidden connections between things and trying to understand things that I feel as a person that thinks in slightly different ways." - Angelo PlessasIn early February of 2020, I was invited to an impromptu lun
It's always a pleasure to be in conversation with Mendi and Keith Obadike. The sound art duo have been working together for 25 years, which gives them perspective to be able to identify trends, changes, and ongoing challenges in the field. Thei
I had the privilege of visiting an insightful and rich exhibition at Albright-Knox, Buffalo, last month. Co-curated by curator and art historian Dr. Tina Rivers Ryan and artist Paul Vanouse, it focused on the impact of "difference machines" AKA
There are so many fascinating stories to be told about the present and future of technology in the arts, especially in this moment of a profound, digital turn. Tamiko Thiel, a truly singular artist, tells a numbers a number of them. As a very e
Zach Lieberman is one of the leading creative coders and digital artists in the world. And what I love about the way Zach works is that he is equally dedicated to thoughtful and open pedagogy as he is to creating poetic digital works. This wide
I’m excited to share this fascinating conversation with LA-based artist Lauren Lee McCarthy. She reminds us that, actually, creating technology is one of the most human of activities. Her work is largely about trying to get us to take responsib
I’ve known Julia Christensen for quite a long time, since we were both graduate students at Mills College in Oakland in fact. One of my first memories of her was when we were both in Pauline Oliveros’s composition class.Since then, I’ve kept u
I’ve known Commissioner Casals for a number of years, since his time at the Highline, where he was creating very forward looking public art programs. His philosophy of building cultural democracy is quietly radical, particularly in a city like
Last month, I had the opportunity to speak to Mutale Nkonde about her work in leading AI For The People, a non-profit communications agency that utilizes art to engage communities in the risks and rewards of machine learning. Her work has taken
Bassem Saad has a background in design and architecture, and he talks about how viewing a Shana Moultin piece at the Palais de Tokyo in Paris triggered his hunger for making video. I find his work deeply incisive in this strange moment, and it
Lynn Hershman Leeson and Roddy Schrock discuss everything from tech's origins in porn and military research as well as the challenges she faced of working as a woman in a patriarchal art world.
Stephanie Dinkins speaks about always being on the edge of technology, while becoming disillusioned with careers in publishing and advertising as well as navigating a world which wants to overlay its own narratives on her as a person and a prac
On episode two, I had the immense pleasure of taking part in a wide-ranging conversation with Jesse Darling, a Berlin-based artist whose work has been featured in numerous exhibitions at key galleries and museums, including the Serpentine Galle
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