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Making the Museum

Jonathan Alger

Making the Museum

A weekly Business, Non Profit, Arts and Design podcast
Good podcast? Give it some love!
Making the Museum

Jonathan Alger

Making the Museum

Episodes
Making the Museum

Jonathan Alger

Making the Museum

A weekly Business, Non Profit, Arts and Design podcast
Good podcast? Give it some love!
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Episodes of Making the Museum

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What’s the role of wonder in experience design? What can the circus teach us to make our exhibitions better? (Spoiler alert: a lot.) Could being “with it and for it” be the secret to success for museum projects? How much technology is too much?
Do museum stores actually make any money? What are they really for? Can a store act like an exhibition? What does “cap rate” mean? How big should a museum store be? What percentage of visitors go into one, and how many of them buy something? Wh
Why is economic planning so vital to any new museum project?What happens if you don’t do it? What is “dark tourism”? Why do economists think about audiences? Can a museum have “ROI”? Which is more important, a profitable museum event, or one th
What is the “humanities gap” — and why is it a huge opportunity for museums?Why can’t everybody be a philanthropist for the day? What does “cultural literacy” mean, and how can it unlock new approaches to the collections we put on display? Why
We might think a design concept is the first step — but it’s not. What do you need to ask yourself, before you even start? What does your community want from your new museum, and how can you find out? What happens when you have funding for 10 s
Why is “70/50” the gold standard? Should it be? Who decided? Does every gallery really need to be 70 degrees, plus/minus two? Does every storage space really need to be 50% humidity, plus/minus five? Is that a reasonable goal for most museums?
What if chaos in cultural projects is something to embrace, not fear? Can chaos theory give us new insights about how to manage complex work? Are we advocates for the owner of a project, or for the project itself? What are the three things upon
What’s the secret to success, when a project lasts years longer than planned? What keeps us going when our work takes more time? How does the subject matter of a project relate to the form of a project? Why should we be thinking equally about t
What is a “growth mindset” — and why is it more important than ever for our industry?What happens when we combine museology with the fast-growing field of positive psychology? How do exhibition teams get through projects with tough subject matt
Can an eye-catching museum revitalize a city? The answer might surprise you. Getting the right designer is vital. If you don’t like a painting you can put it away, but if you don’t like a building, you can’t take it down. Why is it important to
How can we raise the voices of people of color in museums and exhibitions — and what stands in the way?What is Museum Hue? What constitutes a sustainable museum job, a sustainable career? What percentage of staff at museums are folks of color,
What do technologies like the Apple Vision Pro mean for exhibitions and experiences? For people who create cultural destinations, the pace of technology has now become so fast it’s hard to keep up. AR, VR, AI. What’s happening in the “near futu
Great projects happen because of great teams. But how do you build that team in the first place?Who should a museum hire first, to start a major project? How do you decide whether internal staff should run a big project, or if you need help fro
How can we make digital experiences work for all visitors — whether kids or grandparents? Hint: it has to do with recognizing “diverse digital literacies.” When should you bring in a creative technologist? Why should you aim for the strong verb
What’s the very first question we should ask — before we start our projects? Should we start designing … by designing? How do we make sure we understand our audience, before we start making experiences for them? Why is prototyping so important?
Cultural projects should be data-driven — but which *kind* of data?What’s the difference between the “big data” we all know — and “thick data”? Which is more important? (Hint: trick question.) What does cell phone data have to do with sculpture
What if there were just five important things to remember when you build a museum?  What if the most important one of them all — had nothing to do with architecture? Which costs more in the end: building the museum, or operating the building? (
What’s the #1 thing to know about experiential technology?  How long do LED walls last? (The answer will surprise you.) Is a project done when it opens, or are growing pains normal? What happens when you use technology just to have technology?
What if there were a better way? Are the normal exhibition planning and design methods actually way too risky — and is there a way to “de-risk” them? Are our concepts not good enough, because we’re not developing enough of them, fast enough? Wh
What’s the A in DEAI, and why are the ADA guidelines not enough anymore? What’s intersectionality? What’s a “user expert”? If ADA isn’t our goal, what comes after? This is a must-listen episode, featuring two of the most important voices in mus
How can exhibition teams help to decolonize design? What are the pitfalls cultural organizations should watch out for in their DEI (diversity, equity, and inclusion) initiatives? What’s a supertoken and why are cluster hires a better strategy?
What if the best way to market an exhibition — wasn't marketing?What do we need to do better to help visitors find us in the first place? When they do, how do we engage them? When visitors arrive at our institutions, do they know where to go? W
Three podcast hosts join forces in a single show to discuss the latest in experience design. It’s a fast-paced three-way session covering half a dozen broad themes, and countless smaller ones. What are we hearing out there? How can we apply it
What if there were a high-quality, peer-reviewed journal for the whole exhibition community? What if it featured the leading organizations, practitioners and ideas that shape the whole industry? What if back issues for the past 30 years were av
What if accessible design was for everybody, starting with … ourselves? What if we are all only temporarily enabled? How can a broader philosophy of access benefit every visitor? What does a WWII veteran have in common with a mom carrying a bab
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