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Very Expensive Maps

Very Expensive Maps

Very Expensive Maps

A weekly Arts and Visual Arts podcast
Good podcast? Give it some love!
Very Expensive Maps

Very Expensive Maps

Very Expensive Maps

Episodes
Very Expensive Maps

Very Expensive Maps

Very Expensive Maps

A weekly Arts and Visual Arts podcast
Good podcast? Give it some love!
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Episodes of Very Expensive Maps

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Ontario explorer, mapmaker, and conservationist Hap Wilson on drawing 400 guide maps across 50 years, traveling more than 40,000 miles of Canadian wilderness by canoe, the one digital tool he likes (it’s Google Earth), saving lives by creating
Colorado painter, illustrator and mapmaker Erick Ingraham on solving art directors’ problems, making it interesting for himself (“I’m known to make things more complicated than they might need to be”), spending eight years painting the Rockies’
London artist and mapmaker Stephen Walter on two decades of drawing and painting “the semiotic residues of humankind,” an invitation to map an Ivorian national park (and why you should wait for the dry season before attempting this), approachin
Manhattan writer and cartographer John Tauranac on his first maps of Midtown’s pedestrian passages, a public debate with Massimo Vignelli (“His geography was egregious”), working at a very different MTA (they used to have an aesthetics committe
In early 2023 GIS analyst and cartographer Andrew Middleton saw a tweet about Andy Nosal’s search for someone to take over The Map Center, Nosal's map shop in Pawtucket, RI; six months later Middleton left California to move into one of the las
Lyonnais illustrator and designer Lionel Portier on a mapmaking career that spans 30 years and five continents, accepting any map challenge an art director might conceive, a travel magazine gig that led to an Australian passport, painting 100 b
Utah artist Isaac Dushku on how a map has to evoke either a feeling of adventure or a feeling of home, the best- and worst-selling states in his catalog (he drew all 50), taking his business Lord of Maps from being ghosted on Facebook Marketpla
Urbanist and illustrator Sam Usle on designing human-scale communities and rendering them in watercolors, why theme parks reflect a yearning for human-scale towns, redesigning part of his high school campus before graduation, why you can thank
Naomi Rosenberg, assistant director of the Media and Accessible Design Lab at San Francisco’s LightHouse for the Blind, discusses the art of making fingertip-readable maps: why clutter is the enemy of good tactile maps, the quest for an afforda
New Haven architectural designer and artist Matthew Dean Shaffer on balancing accuracy with art, taking a break from straight lines to draw birds, software-driven homogeneity in American architecture (“Straight-out-of-Revit, as we say”), why he
Arlington “reformed architect” and pictorial cartographer Jamshid Kooros discusses his 30 years of mapmaking based on photographs, sketching and “walking, walking, walking,” the end of the drop-in pitch, turning three-week hikes into maps of Fr
Stafford cartographer and entrepreneur David Kulbeth on reviving old map aesthetics with his digital-to-copperplate-to-print-to-watercolor technique, the (costly) difference between copperplate etching and engraving, finding a custom papermaker
Fish Creek artist and gallery owner Sophie Parr on creating more than one hundred 0.5"-to-the-mile maps using aerial imagery and a 0.2mm-tip pen, why she only accepts 2x2" commissions (while working on her own 2x3 ft. map of Chicago), represent
Sandpoint cartographer Lee France on making his first topos in Chile, spending months on a single map for National Geographic Trails Illustrated, the challenge of making an attractive interactive map that includes every scale from hilltop to he
Atlanta visual artist, sculptor and “topophiliac” Gregor Turk on walking 250 miles of the U.S./Canada border, creating landscapes with clay, wood and recycled inner tubes, turning Landsat imagery into hundreds of hand-painted ceramic tiles, mak
Leesburg cartographer Tom Patterson on his decades creating visitor maps for the National Park Service (there’s a good chance his work is crumpled in your glovebox), learning to draw terrain by corresponding with an artist in Scotland, why he d
St Leonards map producer/founder Melinda Clarke and Melbourne illustrator Deborah Young Monk discuss their collaborations across more than three decades, how to tell an artist they need to redraw three months of work, scouting territory by car,
Lewes/Berlin graphic artist and “exuberant mapmaker” Neil Gower on painting an estate plan when the grounds are unfinished, the work that gives him a “hum in the pelvis,” what Frank Zappa has in common with high-effort fake maps, an abandoned 5
New York City cartographer and QueensLink chief design officer Andrew Lynch on using library archives, train-mounted GoPro footage and his own two feet to plot every track in the New York City subway system, a brush with cubicle-based urban pla
New Brunswick embroidery artist Danielle Currie discusses her fans among NASA’s Ocean Processing Group, spending more than 400 hours to render an Icelandic river in straight stitches, her hoops being mistaken for paintings, how you really have
Toronto architect and artist Gabriel Camus discusses the 20" wide, 20 ft. long imagined cityscape he’s been drawing since 2018, a 100 ft. (!) illustration he's never seen the whole of for want of space to roll it out, the modern city as utopia/
Königs Wusterhausen mapmaker Simon Polster discusses falling into his first topo mapping project after hitchhiking from Iran to Berlin, using Soviet topographic maps as a starting point to map Armenian hiking trails, donating data to OpenStreet
East Yorkshire artist-cartographer Kevin Sheehan discusses picking a fight with fellow history PhDs by drawing a 19x29” calfskin portolan chart of the Mediterranean, spending 2 months stippling the lunar surface with a dip pen, acquiring a nove
Vancouver “accidental cartographer” Jeff Clark discusses his 100-layer 18-month project to map the Salish Sea bioregion, the importance of testing your waterproof trail map paper, getting a big boost from the local press, the eternal hassle of
Lisbon cartographer and artist Anthony Despalins on using the visual language of French 1:50k topos to create imagined landscapes, a toolkit of pencils, poems, markers, memories and ink, drawing inspiration from the Gironde estuary and Matthew
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