BCS, The Chartered Institute for IT
Context for costumes: faceted access to historic costumes
Integration of user-centred evolutionary computation with digital visualisation
Creative identity theft: issues for artists in collaborative online environments
Capturing worlds
Beyond seeing is believing
Interactive Multimedia Rocks for Geology
A new media approach: visualisation of a digital exhibition. Research on representation and design of cultural interfaces
Simulated-3D visualisation of artefacts using a portable electromechanical object rig
Digital preservation: terminology, techniques, testing and trust
Digital image archives as public artwork and community engagement
The constructivist museum and the web
A third space: reconsidering issues of neutrality and accessibility in the virtual art museum
The evolution of architectural forms through computer visualisation: muqarnas example
Exploring Persian rug design using a computational evolutionary approach
New light on old stone: recording and reinventing visual culture
The limits of resolution
Mixed reality and curatorial design: from existing practice to the nomad_tech museum
Meta-Image - a collaborative environment for image discourse
Flesh for fantasy: the future of sado-masochism and performance art in virtual worlds
The online potential of art creation and dissemination: DeviantArt as the next art venue
Dulwich OnView: an art museum-based virtual community generated by the local community
The relevance of traditional drawing in the digital age
Beyond abstract film: constructivist digital time
Virtual worlds as art practice: EvoArt methodologies
Architectonic influences of multimedia and their spatial significance
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