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Sarah D Bunting
Quaid In FullEpisodes
Sarah D Bunting
Quaid In Full
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Episodes of Quaid In Full
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Author and critic Zack Handlen made the mistake of offering to return for Pandorum, 2009's "what if we stuck a bunch of grimy Jell-O to some warehouse walls and filmed a live-action 'Space Madness' meets Event Horizon" sci-fi. The movie starts
Extra Hot Great's Dave Cole is back to help us list the many complaints prompted by 2009's dreadful and boring live-action take on G.I. Joe, including attempts to elevate an already-fine cartoon, suboptimal explosions and fight scenes, pointles
Jeb had never seen a SpongeBob-isode before, and the good news is, he no longer has "incipient dread" about his child possibly enjoying it one day! The bad news...isn't really bad, or specific to this particular 12 minutes of SBSP content, beca
Horsemen seems to have gotten memory-holed immediately after the fest circuit (or...during production by much of the below-the-line talent?), and with good reason -- it's bafflingly poor, studded with visual clichés, its actors apparently undir
[NB: Due to file-corruption issues, this episode's sound isn't stellar; apologies for any inconvenience!] Critics were kindly disposed towards The Express, a well-meaning Ernie Davis bio-pic that seems to count on knee-jerk positive responses t
[NB: Due to file-corruption issues, this episode's sound isn't stellar; apologies for any inconvenience!] For a third-choice star in a first-draft action movie, Dennis Quaid's quite good in 2008's Vantage Point, a fridge-magnet-poetry "thriller
Dennis Quaid fiiiinally nails the frumpy-prof part in 2008's Smart People -- but in the service of a first-draft story about damaged, pedantic, chafey people whose immaturities don't line up. One of those film-fest darlings you never hear about
We understand why Dennis Quaid wanted to do 2007's Battle For Terra; it's unclear why BFT wanted him. The star-studded, labored comment on corruption and colonization -- you know, for kids! -- doesn't maximize Quaid's talents (or screentime), a
We're thrilled to welcome This Had Oscar Buzz co-host (and TWoP Idol co-recapper emeritus) Joe Reid to the podcast to dig into American Dreamz, a satire of both competitive singing shows AND mid-aughts American politics that does one thing quit
Welcome to the (really) long-awaited seventh season of Quaid In Full -- and to the chaotic, unrealistic, and utterly Nickelodeon Yours, Mine & Ours. Critics in week-before-Thanksgiving mode weren't terribly charitable to this 2005 remake of the
You've seen 2004's Flight Of The Phoenix before -- not just the Jimmy Stewart verzh from the '60s, but every "ragtag group with various animosities bands together to beat insurmountable odds, with an assist from ILM CGI" flick before it. As NOT
Or, How To Not Exactly Succeed In Corporate Satire While Actually REALLY Trying. We might have felt differently about In Good Company if we didn't live in the Republic of Bezos, in a timeline with Succession, but we do, we do, and a movie that
Defector.com's David J. Roth returns to talk about The Day After Tomorrow, which was marketed as an Important Must-See back in 2004, and almost uniformly savaged by critics who seem not to have understood the point of AN ACTION MOVIE. But your
Remember The Alamo (...sorry; we had to) -- 2004's "featureless sphere of re-consideration" of one of the country's most notorious battles starring Dennis Quaid as Sam Houston? If you do, our condolences, although despite a bloated runtime, rac
Semi-on-demand PBS educational series Freedom: A History Of US is nigh-on impossible to find, and based on the episode we did track down, "A War To End Slavery," that's mostly a good thing. Casting the Civil War in the broadest, blandest terms
Did anybody in this movie...see a movie? Today we're contemplating 2003's Cape Farm, aka Cold Creek Manor, aka 33 1/3 Short Sound Drops That Shouldn't Have Made SDB Laugh. A putative thriller in which Dorff On Golf somehow manages to haul a dea
Welcome to MASTADQ: Mark And Sarah Talk About Dennis Quaid! Mark Blankenship slid into the guest chair (not a euphemism) to discuss Far From Heaven, the line between melodrama and tragedy, and how Todd Haynes's 2002 homage to Douglas Sirk and "
Liz Roscher of Yahoo! Sports and Kevin Goldstein of Fangraphs defied the MLB lockout to join us for The Rookie, an above-average baseball movie about Jim Morris's midlife journey to the majors that is therefore below average generally. How's De
We went into Dinner With Friends expecting a filmed TED Talk on the Rashomon of a disintegrating marriage; instead, we got the American Kennel Club metaphor wheel, disproportionate anger about balsamic vinegar, and a surprising argument in favo
Zack Handlen joins us for 2000's Soderbergh Oscar magnet Traffic, which at least one of your co-hosts forgot Dennis Quaid was even in, much less that he played a sleazy Mob-fixer lawyer whose wardrobe erodes really weirdly over the 2.5-hour run
If YOU had a time desk, you too would invite Rolling Stone's chief TV critic, Alan Sepinwall, to burn messages into it about Frequency, the year-2000 time-travel/father-son therapy/serial-killer thriller that kicks off QIF's sixth season. Twent
Defector's David J. Roth pulls up a seat on the second footballiest day of the year as we talk about Oliver Stone's Any Given Sunday, a 157-minute "exploration of boundaries of filmmaking by peole who are permanently on LSD." Whether it's a #po
Short Cuts waterboarded with sno-cone syrup...Love Actually from factory-irregular parts...a catastrophically premature Magnolia...it's Playing By Heart, which is 40 minutes too long, coy about a meaningless end reveal, and contains very few be
We're moving into the DILF era for Quaid with 1998's The Parent Trap, which is too long, too loud, and too blithe about the Unsolved Mysteries segment that is this family's narrative...and yet its "welcome unreality" is charming, and so is Quai
It's DQ's directorial debut, a TNT movie called Everything That Rises -- and while there's no discernible connection to Flannery O'Connor, the flick's surprisingly good. Okay, the transfer we watched was very bad, and the dialogue's laconic sar
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