Podcasts encadenados.- Episodios

A curated episode list by Molinos
Creation Date November 12th, 2019
Updated Date Updated March 15th, 2020
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En esta lista iré colocando los episodios que voy a ir recomendado en la sección de mi blog Podcasts Encadenados
La idea: conectar a Chile a través de una red. Como el internet. Pero en 1971. Hace casi medio siglo, el gobierno socialista de Salvador Allende desarrolló una tecnología que conectaba la economía chilena en tiempo real y distribuía el poder entre sus trabajadores. ¿Qué pasó con el proyecto Cybersyn, esa especie de protointernet latinoamericano? *Visita radioambulante.org para ver fotos del proyecto Cybersyn y más contenido extra sobre esta y otras historias.
El colombiano Álvaro Enciso pone cruces en el Desierto de Sonora, en Arizona, en los lugares donde se han encontrado cadáveres de migrantes. En este episodio lo acompañamos en una de esas travesías. Y escuchamos las voces de migrantes que se pierden en el desierto buscando una mejor vida. Esta es la segunda historia de una miniserie sobre la crisis humanitaria que se vive en la frontera de México y Estados Unidos. www.lasraraspodcast.com @lasraraspodcast
Everybody knows the Beethoven story: He’s a brilliant composer who faced hearing loss; a genius who couldn’t listen to his own masterpieces. But there’s a different way to consider the story we think we know.
A little-known bit of world history about a rag tag group of sailors stranded for years in the Suez Canal at the center of a war. Great Bitter Lake Association
********************************************************* *********************************************************Migraines & Tsunamis was composed and produced by Adriene Lilly.It remixes original recordings with found sounds, found stories and archival audio and is part of a series of work detailing invisible and reoccurring pain experiences.*********************************************************Adriene writes: This piece is definitely the most obviously personal piece I’ve made. I’m also very interested in finding a balance between audio documentary, storytelling and sound art - so it’s part of my constant struggle to do that.The comparison between migraine and tsunamis comes from how I think about my own experiences. Migraines are different for everyone, but in my case there are a couple of warning signs that I tend to get in the hours or days before an attack. They are things like horrible dry mouth, I can’t stop yawning and become very depressive. I think about them as the ocean drawback that can happen before a tsunami. There no pain at that point, but I always know that soon the wave will come in and my entire body will be temporarily destroyed (extreme pain, vomiting, diarrhea). I think anyone who experiences some kind of internal, invisible but frequently, reoccurring pain ends up using some kind of external imagery or analogy in order to both explain to others, but also to yourself, what exactly the pain is. I think it’s also a way to identify it as something real, because it’s so easy to start thinking that you’re just making the whole thing up... and that’s a particularly scary thought process.I make a lot of work using found sound. I think about it like sampling for documentary. Not a new technique, but definitely one I think leaves a lot of room to get into new aesthetics, rhythms, etc. On some level I’m drawn to it because I like finding my own ideas, words, thoughts, whatever, in the words of other people. For this piece in particular (and the other pieces in my series on invisible pain) it’s also a way of surveying these deeply personal experiences that are shared - in isolation - by lots of people in a lot of different situations.On what inspires her to make audio:I'm inspired by strange, unexpected mixes, and variety. I like a good story but I don't always need one. To be more specific, I really appreciate shows like Vicki Bennett's Do or DIY (on WFUM) and archives like Ubuweb sound as a way of finding new audio. On inspiration outside of audio: Music of course, music is important. If you want me to be really specific the most recent thing to really grab my attention is Fullmoon on Ryuichi Sakamoto’s recent album "async", maybe because I’ve been trying to embrace this idea of sounds allowing your attention to wander.It isn’t really apparent in my work, but I’m really inspired by comedy. Especially when it uses editing and repetition to make a joke (I’m thinking specifically of Vic Berger when I say editing). *********************************************************Constellations says:We came across Adriene's work through an excited recommendation by the great Julie Shapiro. Adriene mixes scraps of archival audio with personal fragments to sculpt musical and striking compositions that continue to reverberate long after the sound has stopped playing. This piece is - coincidentally, sadly - rather topical this week. But beyond this, it's a creative and sensitive exploration of the invisible tides of pain that push and pull bodies and bodies of land.*********************************************************Adriene Lilly is a sound artist and audio producer whose work often plays archival and found audio against original interviews and recordings. She has lived in cities around the world from Chicago to Beijing but is currently based in Brooklyn, NY. Upcoming projects include an experimental audio series about expressing invisible, physical pain.You can find more of her work online at www.adriene.net and bandcamp or follow her on Twitter @iamalilly
En este primer episodio de Podium Inside analizamos algunos de los proyectos que se estrenan en este otoño de 2019 en Podium:'Historia de España para Selectividad' de Juan Jesús Pleguezuelos estrena nueva temporada en Podium, noticia que se dio a conocer en 'La Escóbula de la Brújula'.Otro que llega a nuestra plataforma es el podcast de divulgación científica 'Catástrofe Ultravioleta'. María Jesús charla con Antonio Martínez Ron, Javi Álvarez y Javier Peláez para conocer los temas, novedades y las características sonoras que tendrá esta nueva temporada del podcast ganador del Premio Ondas 2017 al mejor programa de radio digital.Descubrimos las entrañas de 'En el corredor de la muerte' el podcast que acompaña la serie de Movistar +, con Miriam Lagoa, responsable de transmedia de Movistar + y los guionistas Jimena Marcos y Arturo Lezcano.En cada episodio de Podium Inside propagaremos nuestra pasión por el mundo del audio con las recomendaciones de Ana Ribera. Ella estará en cada episodio para contarnos todos esos podcasts del mercado mundial que son imprescindibles y que no nos podemos perder.
"Escuchar es una forma de tocar a la distancia" decía Murray Schafer autor de El paisaje sonoro. Hoy empezamos caminando por el Desierto Sonoro de Valeria Luiselli para aterrizar en el mundo de los podcasts y analizar las últimas novedades.En un mundo en el que los altavoces inteligentes ya están presentes en miles de hogares, Podium presenta su nueva skill. María Jesús Espinosa de los Monteros charla con su responsable, Pablo Fernández Delkader para descubrir más sobre ella.Ana Ribera, nuestra crítica de podcasts, hablará de dos episodios concretos: Migrañas y tsunamis del podcast Constellations y un episodio del podcast Decomposed de la pianista y divulgadora musical Jade Simmons, en el que explica cómo Beethoven llegó a quedarse sordo.Charlamos sobre la entrada universitaria del formato podcast junto a Andoni Orrantia, autor de Diez claves para contar buenas historias en podcast y Fran Izuzquiza autor de Cuaderno de podcasting.¿Por qué no un podcast sobr el Procès? Hablamos con Carola Soler autora del podcast Volver, cinco historias sobre la crisis catalana.
Cuando nuestros familiares o amigos están enfermos, tenemos muchas formas de ayudarlos. Pero cuando se trata de una depresión, no sabemos qué hacer. Ana Ribera pasó por una fuerte depresión y durante ese tiempo aprendió que la mayoría de las personas no entendían qué le estaba pasando, ni cómo tratar a alguien en esa situación. En su charla de TEDxCiutatVellaDeValència, Ana nos cuenta de manera franca e íntima qué es tener depresión y cómo uno puede ayudar. Les advertimos que en esta charla se tratan temas sensibles. Para más ideas de TED en Español, te esperamos en TEDenEspanol.com.
Jose Feliciano was the first artist to perform a personalized rendition of the National Anthem at the World Series, and it nearly destroyed his career. But was it an act of protest or of patriotism? Also, Aasif gets a private concert when Jose Feliciano is reunited with his guitar at the Smithsonian. (Celeb interview: Jose Feliciano)This episode is sponsored by The Great Courses (www.thegreatcoursesplus.com/LOST).
Dolly Parton and politics have always had an interesting relationship. On the one hand, she wrote 9 to 5, the anthem for working women and the theme song for a movie inspired by a new labor union. On the other hand, she refuses to answer questions about President Trump, or any question on politics period. Her nephew calls this “Dollitics”: Dolly doesn’t take a position because she knows half her fans are on the right, half are on the left. In this moment in history, how should we think of this kind of fiercely apolitical stance?  Is it desirable, or even possible?
This morning, the House of Representatives begins public hearings in the impeachment inquiry against President Trump. Before those hearings get underway, we sat down with someone who’s unafraid to ask all the questions we’ve been too embarrassed to say out loud.  Guests: Michael S. Schmidt, who covers national security and federal investigations for The New York Times, spoke with Bianca Giaever, a producer for “The Daily,” and Leo, a third grader, to answer his questions about the impeachment inquiry. For more information on today’s episode, visit nytimes.com/thedaily. Background reading: In the first nationally televised hearings of the impeachment inquiry, Democrats will look to make the case that Mr. Trump’s dealings with Ukraine constitute high crimes and misdemeanors.These will be the first presidential impeachment hearings in more than two decades. Here’s how this inquiry is likely to be different than the last.Meet the public officials likely to be most prominent in the inquiry.
En el anterior 'Nadie Sabe Nada', Berto Romero, inventaba un género que aún estaba por definir. Una semana después, espoleado por Andreu Buenafuente, Berto vuelve a coger las riendas del rock que le corre por la venas e inventa lo que Andreu bautiza como R.S.I. (Rock Siniestro Improvisado).Pasan muchas cosas más en este programa pero lo que realmente nos importa es ¿cuándo van a salir de gira estos dos mastodontes del R.S.I. llenando estadios y plazas de toros con puro rock?
Dijo un sabio un día: «No podemos analizar el pasado con la óptica del presente». Y aunque sí, sí que se puede, nunca le quitaríamos la razón a un sabio. Dicho lo cual...Arturo González-Campos empieza el programa antes de que empiece el programa, o antes de que se enteren todos de que ha empezado. Unos lo llaman metapodcast, otros prepodcast, también hay quien habla de chapuzapodcast o traicionpodcast... Un misterio.Juan Gómez-Jurado viene a hablarnos de la novelización de las películas: ¿Cuántas veces habéis dicho, al ver la portada de un libro: «Mejor me espero a la película»? Y, ¿cuántas veces habéis dicho, al ver el cartel de la peli: «Mejor me espero al libro»? ¿Más? ¿Menos? Pues eso.Javier Cansado nos trae musicote del norte para adentrarnos en un tema arduo: los rituales vikingos... Cada vez que moría un vikingo rico (hecho histórico incuestionable por asuntos de carácter estadístico demasiado complejos para ser tratados aquí), el vikingo era sometido a algunos ritos que os dejarán con la boca abierta y el estómago raro. Preparaos una sopa de sobre. De alguna marca buena. Que nos pague. Y escuchad.Rodrigo Cortés ha venido a hacernos viajar como sólo él sabe hacerlo a través de una de las gargantas más subterráneas de la historia de la música. ¿Preparados para el saltito de pecho que os provocará escuchar su canción?Todo esto en 'Aquí Hay Dragones', un programa suave y sedoso, reconfortante y cómodo como INSERTE SU PUBLICIDAD AQUÍ.¡Aquí hay dragones!
La mujer en silencio aborda uno de los principales recursos de la venganza femenina en la historia: negarle la palabra al otro. A partir de esta idea, Deforme Semanal Ideal Total explorará los mitos de las mujeres que se quedaron con la última palabra. Hablaremos de suicidas, renacidas y zombies. Del silencio como respuesta, de la ira contenida,de  la rabia desatada, de todo aquello que conforman venganzas, neurastenias, amores imposibles y demás maravillas.
Dr Ruja promised financial revolution. And then, two years ago, she disappeared. Why? The Missing Cryptoqueen is an eight-part series for BBC Sounds, with new episodes every Thursday. Presenter: Jamie Bartlett Producer: Georgia Catt Story consultant: Chris Berube Editor: Philip Sellars Original music and sound design: Phil Channell Original music and vocals: Dessislava Stefanova and the London Bulgarian Choir
The Village, Episode 1 - In 2010, men with similar characteristics start mysteriously disappearing from Toronto's gay village. They are all linked to one man. Investigative journalist Justin Ling follows the case as friends search for loved ones and police provide few answers.
Larry Nassar's world starts to fall apart in the summer of 2016, thanks to three things: a tough Michigan detective, a team of journalists in Indiana, and a homeschooling mom from Kentucky. In this episode, you'll hear Larry's facade collapse - on tape.
Chris’s dad was a classy guy. Whenever he met one of his son’s girlfriends, he’d extend his hand, give her a firm handshake and say, “Soy Andrés, a tus pies.” Which means, “I’m Andres, I serve at your feet.”  Andres carried his wife’s purse when they went out, taught Chris to throw a knuckle ball by age eight, and loved a good joke at Fidel Castro’s expense. But behind it all was a dark past that Chris was too scared to ask about. 
There is more waste in the world today than at any time in history, and the responsibility for keeping the environment clean too often falls on individuals instead of manufacturers. But, why us? And why this feeling of responsibility? This week, how one organization changed the American public's relationship with waste and who is ultimately responsible for it.
The vast majority of our plastic isn’t being recycled. It might be time to consider lighting it on fire. (Transcript here.) Learn more about your ad choices. Visit megaphone.fm/adchoices
Where does your recycling go? In most places in the U.S., you throw it in a bin, and then it gets carted off to be sorted and cleaned at a Materials Recovery Facility (MRF). From there, much of it is shipped off to mills, where bales of paper, glass, aluminum, and plastic are pulped or melted into raw materials. Some of these mills are here in the U.S. And once upon a time, many of them were in China. Since 2001, China was one of the biggest buyers of American recycling.  That is, until last year, when China pulled a move that no one saw coming: they stopped buying. National Sword
Hoy, mi invitado al podcast es Yanko Iruin, doctor en Ciencias Químicas por la UPV/EHU y Catedrático de Química Física. Es, además, divulgador científico y os recomiendo que no os perdáis su blog, El Blog del Búho, donde habla de la química cotidiana. En pleno apogeo del zero waste y con la crisis del cambio climático, le planteo a mi invitado si es posible vivir sin plásticos, qué son los microplásticos y si estamos o no haciendo una buena gestión de los residuos, sobre todo, cuando tantos plásticos terminan en el mar. También, hablaremos del famoso BPA (bisfenol) y por qué causa tanta inquietud. ¿Es cierto que meamos plástico? Todas las respuestas en el podcast de esta semana. Las notas de este episodio están, como siempre, en el post que acompaña a este audio y que podéis encontrar en www.thebeautymail.es.Instagram @thebeautymail. Twitter @cristinamitre. YouTube https://www.youtube.com/c/CristinaMitreFacebook https://www.facebook.com/Crismitre/Muchas gracias a Storytel, mecenas de este episodio del podcast. Storytel es una app de audiolibros, libros digitales y podcasts. Tenéis 30 días de prueba gratis en www.storytel.com/mitre
You didn't have to attend high school in a small midwestern town to know a couple like Denny and Karen. They were always together, holding hands and whispering secrets. In the hall before class. After school. At the mall. Everybody knew a graduation ring would soon be followed by an engagement ring. It all rings true for Karen and Denny — except the last part.  Theirs is the story of love that was lost and found more than once. How it survived through decades, and despite marriages to others. And how finding each other again was the first step on a new road of discovery.
Unos malos pasos y te vas para la miércoles. Claudia y Mónica López son hermanas inseparables. Ya están jubiladas y quieren dedicar su tiempo libre a viajar, a conocer nuevos lugares diferentes a su ciudad, Buenos Aires. El agosto pasado visitaron Tucumán, una provincia al norte de Argentina con muchos atractivos turísticos. Pero lo que se suponía eran unas vacaciones tranquilas se convertirían en una odisea que las retaría física y mentalmente.**► Luis Fernando Vargas, editor en Radio Ambulante y productor de este episodio, responderá tus preguntas sobre la historia en un Facebook Live el próximo viernes 13 de diciembre a las 12:30 ET. Si tienes Facebook, puedes programar un recordatorio en este enlace.
Singer-songwriter Mary Chapin Carpenter reads a story by Eve Pell, about finding new love later in life. This is an encore presentation.
Reporting by Vicky Baker Drama by Chloe Moss Anna Delvey was due to come into a trust fund of $67m on her 26th birthday. She was on her way to establishing the Anna Delvey Foundation, a multi-million dollar visual-arts centre in the heart of New York City. She filled her time with champagne brunches and stays in penthouse suites, as she wined and dined the New York elites to secure investment for her project. It all sounded wonderful. Except, it was all a lie. Behind Anna Delvey, the heiress, was Anna Sorokin, the recent magazine intern. Out of nothing, this otherwise unremarkable twenty-something had reinvented herself as a multi-millionaire socialite, conning businesses and friends out of thousands of dollars in the process. But how? How did she manage to live a life of luxury for so long? How did she make anyone believe her story? How did she get people to trust her enough to give her their money? Journalist Vicky Baker and playwright Chloe Moss dig deeper into the New York scandal, and mix drama with documentary to tell the story of Anna Delvey's rise and fall. Anna is played by Bella Dayne Other parts are played by Chris Lew Kum Hoi, Heather Craney, Will Kirk, Scarlett Courtney, Neil McCaul, Clive Hayward, Ian Conningham, Lucy Reynolds, Adam Courting, Greg Jones, Laura Christy, Jessica Turner, Ikky Elyas, Sinead MacInnes. Director: Sasha Yevtushenko
A college student dies on her 21st birthday in Spain. Authorities rule her death an accident. Years later, questions arise after a TV segment airs about someone she was with that night.
Aunque el arte jondo haya contado siempre con artistas protestones, hasta ahora no se había trabajando tanto eso que hoy conocemos como memoria histórica. Sin embargo, sí hubo excepciones maravillosas durante los años 70: artistas como El Lebrijano o Juan Peña denunciaron sobre las tablas los abusos policiales pertrechados contra el pueblo gitano. En 1976, Peña publicó 'Persecución', donde relataba el martirio al que fueron sometidos los suyos durante el reinado de los Reyes Católicos. Este episodio de 'Crónicas Jondas' realiza un repaso de los testimonios más conmovedores de la historia del flamenco en España. 'Crónicas Jondas' es una serie documental escrita, dirigida y narrada por Silvia Cruz Lapeña con la realización sonora de Elisabeth Bua.
In 1935, Merle Oberon became the first biracial actress to be nominated for a Best Actress Oscar, an incredible achievement in then-segregated Hollywood -- except that nobody in Hollywood knew Oberon was biracial. Born in Bombay into abject poverty in 1911, Oberon's fate seemed sealed in her racist colonial society. But a series of events, lies, men and an obsession with controlling her own image -- even if it meant bleaching her own skin -- changed Oberon's path forever. This episode was written and performed by Halley Bondy, a writer and journalist whose work has appeared on NBC, The Outline, Eater NY, Paste Magazine, Scary Mommy, Bustle, Vice and more. She's an author of five young adult books plus a handful of plays and is a writer / producer for the podcast "Masters of Scale." She lives in Brooklyn with husband / cheerleader Tim and her amazing toddler Robin.
¿Quién decide qué vida merece ser celebrada? Un episodio con una misión muy especial. Entra en www.gabinetepodcast.com para completar la experiencia del capítulo, con los vídeos e imágenes que te hemos preparado.
The aftermath of the Triangle Shirtwaist Factory fire helped usher in higher wages, safer conditions and a prohibition on child labor. But the problems that led to the fire haven’t gone away. Not even close. You can follow Spectacular Failures on Twitter and Facebook using @failureshow. We're @failure_show on Instagram. Follow Lauren Ober on Twitter and Instagram at @oberandout. Spectacular Failures is powered by you. Support the show with a donation at spectacularfailures.org/donate.

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